参考文献/References:
[1] 刘秋霖.中华吉祥组合图典[M]. 天津:百花文艺出版社, 2013.
[2] 庄春辉.解读“卍”(卐)字符及其不同变体的文化表征意义[J]. 康定民族师范高等专科学校学报,2008,17(1):27-32.
ZHUANG Chunhui. Interpretation of the cultural representation of "卍"(卐)and its different variants[J]. Journal of Kangding National Normal University,2008,17(1):27-32.(in Chinese)
[3] 辞海委员会. 辞海[M]. 上海:上海辞书出版社, 1979.
[4] 魏红友. 马家窑彩陶中的“卍”形纹饰[J]. 文物鉴定与鉴赏, 2012(3):88-91.
WEI Hongyou. The "卍" pattern in the color pottery of MAjiayao[J]. Identification and Appreciation to Cultural Relics, 2012(3):88-91.(in Chinese)
[5] 广东、广西、湖南、河南辞源修订组, 商务印书馆部. 辞源[M].北京:商务印书馆, 1979.
[6] 杨广银.图必有意,意必吉祥——中国传统文化中的谐音造型[J].文艺研究,2009(7):158-160.
YANG Guangyin.Pictures with auspicious meanings—the homophonic shape of Chinese traditional culture[J].Literature and Art Studies,2009(7):158-160.(in Chinese)
[7] 吴山.中国纹样全集[M].济南:山东美术出版社, 2009.
[8] 陈晓晖.中华传统吉祥图[M].北京:气象出版社, 2013.
[9] 许京, 郑炳玉.中国吉祥图案集锦[M].北京:文化艺术出版社, 2011.
[10] 宗凤英.清代宫廷服饰[M].北京:紫荆城出版社,2004.
[11] 沈从文.中国古代服饰研究[M].上海:世纪出版集团, 2005.
[12] 徐雯,刘琦.汉族传统服饰图案经典[M].北京:中国纺织出版社,2015.
[13] 钱小萍.中国织锦大全[M].北京:中国纺织出版社, 2014.
[14] 贡布里希.秩序感[M].杭州:浙江摄影出版社,1987.
[15] 高楠顺次郎.大正藏:史传部[M].东京:大正一切经刊行会,1928.
[16] 野崎诚近.吉祥图案题解[M].北京:知识出版社,1988.
[17] 城一夫.东西方纹样比较[M].北京:中国纺织出版社, 2002.
[18] 丁福保. 佛学大辞典[M]. 北京:文物出版社, 1984.
[19] 释慧琳,释希麟.一切经音译[M].合订本.台北:大通书局出版社,1985.
[20] 秦立.卍≠卐[J]. 世界文化,2005(5):50.
QIN Li.卍≠卐[J].World Culture,2005(5):50.(in Chinese)
[21] 秦人路.卐与卍音义相通[J].读书,2001(9):90.
QIN Renlu,卐 means 卍[J].Reading,2001(9):90.(in Chinese)
[22] 梁惠娥,刘荣杰.清末民初服饰中“卐、卍”字纹艺术探析[J].丝绸,2017,54(12):81-86.
LIANG Hui’e,LIU Rongjie.Analysis of the pattern “卐, 卍” in the clothing in the late Qing Dynasty and the early Republic of China[J].Journal of Silk, 2017,54(12):81-86.(in Chinese)
[23] 凌立.藏族“卍”(卐)符号的象征及其审美特征[J].康定民族师范高等专科学校学报,2006,15(1):8-12.
LING Li.The symbol of Tibetan swastika and its aesthetic characteristics[J].Jaurnal of Kangding Nationality Teachers College,2006,15(1):8-12.(in Chinese)
[24] 郭戎晶. 论“卍”符号美学意蕴的发展与演变[D].武汉:武汉纺织大学,2013.
[25] 赵洁. 明清卍、卐字纹的图像研究[D].太原:山西大学,2008.
[26] 周亚辉.湖南通道侗锦“卍”“卐”纹饰探析[J].装饰,2014(11):92-93.
ZHOU Yahui.Analysis on the swastika pattern of the Dong brocade in Tongdao,Hunan Province[J].Art and Design,2014(11):92-93.(in Chinese)
[27] 叶立东.试论土家织锦的“卐”图纹[J].吉首大学学报(社会科学版),1997(4):45- 48.
YE Lidong.On the "卐" pattern of Tujia brocade[J].Ournal of Jishou University(Social Science Edition),1997(4):45- 48.(in Chinese)
[28] 辛维金.浅谈服饰纹样中“卍字纹”的艺术魅力[J].中国高新技术企业,2008(15):140-143.
XIN Weijin.On the artistic charm of "the word pattern of 卍" in dress pattern[J].China High Technology Enterprises,2008(15):140-143.(in Chinese)
[29] 曾艳红.服饰:文化的一种载体及传播媒介[J].丝绸,2013,50(1):58- 62.
ZENG Yanhong.Clothing: a carrier and communication medium of culture[J].Journal of Silk, 2013,50(1):58- 62.(in Chinese
(责任编辑:张 雪,邢宝妹)
相似文献/References:
[1]吴 玥,梁惠娥*.中国传统服饰中童子纹的研究现状与趋势[J].服装学报,2020,5(01):78.
WU Yue,LIANG Huie*.Research Status and Trends of Boy Patterns inChinese Traditional Costumes[J].Journal of Clothing Research,2020,5(05):78.
[2]卿 源,周 倜,梁惠娥*.中国传统服饰海外接受度的影响因素分析[J].服装学报,2020,5(03):270.
QING Yuan,ZHOU Ti,LIANG Huie*.Analysis of the Influencing Factors on Overseas Acceptance of Chinese Traditional Clothing[J].Journal of Clothing Research,2020,5(05):270.
[3]张金滨.传统服饰元素融入现代服装设计的路径分析[J].服装学报,2020,5(04):328.
ZHANG Jinbin.Analysis on the Way of Integrating Traditional Costume Elements into Modern Costume Design[J].Journal of Clothing Research,2020,5(05):328.
[4]陈思燕,方丽英*.基于K-Means和高斯混合模型的云肩色彩提取方法对比[J].服装学报,2021,6(02):131.
CHEN Siyan,FANG Liying*.Comparative Study of Cloud Shoulder Color Extraction Methods Based on K-Means and Gaussian Mixture Model[J].Journal of Clothing Research,2021,6(05):131.