[1]高 星.视觉体验下珠绣多维装饰空间构建与设计表达[J].服装学报,2021,6(03):247-253.
　GAO Xing.Construction and Design Expression of Multi-Dimensional Decorative Space of Bead Embroidery Under Visual Experience[J].Journal of Clothing Research,2021,6(03):247-253.
点击复制

视觉体验下珠绣多维装饰空间构建与设计表达()
分享到：

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第6卷
期数:
2021年03期
页码:
247-253
栏目:
服装设计与营销
出版日期:
2021-06-30

文章信息/Info

Title:
Construction and Design Expression of Multi-Dimensional Decorative Space of Bead Embroidery Under Visual Experience
作者:
高 星
江苏工程职业技术学院 纺织服装学院,江苏 南通 226007
Author(s):
GAO Xing
School of Textiles and Fashion, Jiangsu College of Engineering and Technology, Nantong 226007, China
分类号:
TS 941.3
文献标志码:
A
摘要:
以视觉体验概念为切入点,提出珠绣装饰空间的构建方式及类型,同时结合案例分别从形态、动态、光影、官能、情感等维度归纳其装饰空间的表征特点,从而完善并扩展珠绣的装饰属性和设计应用。研究表明:以视觉认知为主导的珠绣多维装饰空间强化了观者的体验与互动,借助更加丰富的装饰表现传递、表述设计情感,为拓展珠绣装饰应用、提升体验品质与艺术价值提供了可参考路径。
Abstract:
Based on the concept of visual experience, this paper puts forward the construction methods and types of bead embroidery decoration space, and summarizes the characteristics of its decoration space from the dimensions of physical state, dynamic, light and shadow, senses and emotion with the combination of cases, so as to improve and expand the decorative attributes and design applications of bead embroidery. The research shows that the multi-dimensional decorative space of bead embroidery dominated by visual cognition strengthens the viewer’s experience and interaction, and provides a reference path for expanding the application of bead embroidery decoration, improving the experience quality and artistic value by means of richer decorative expression, transmission and expression of design emotion.

参考文献/References:

[1] 张轶.视觉体验下的老年人室内空间织物色彩设计[J].染整技术,2017,39(12): 66- 69.
ZHANG Yi.Study on color design of fabrics forelderly interiorspace under visual experience[J].Textile Dyeing and Finishing Journal,2017,39(12): 66- 69.(in Chinese)
[2] 古大治.色彩与图形视觉原理[M].北京: 科学出版社,2000:13.
[3] 袁恩培,李婧.绝对伏特加品牌形象的视觉张力建构研究[J].装饰,2014(2):108-109.
YUAN Enpei, LI Jing.Research on structure of visual tensility in the brand image of Absolut Vodka[J]. Art and Design, 2014(2): 128-129.(in Chinese)
[4] 潘彤.我国当代定制服饰中珠绣技艺的运用研究[D].无锡:江南大学,2019: 26.
[5] 佚名.2016春夏《The Blonds》女装发布会[EB/OL].(2015-9-18)[2020-8-28].https://www.pop-fashion. com/details/bookpresscon/t_presscondetails-id_139295-col_3-ver_focus/.
[6] 佚名.2019春夏巴黎《Balmain》高级定制女装发布会[EB/OL].(2019-1-24)[2020-8-28].https://www. Popfashion.com/details/bookpresscon/t_presscondetails-id_3971953-col_3-ver_live/.
[7] 佚名.2018春夏巴黎《Zuhair Murad》高级定制女装发布会[EB/OL].(2018-1-24)[2020-8-28].https://www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_3478935-col_3-ver_focus/.
[8] 靳鹤琳.中国传统文化元素与动态视觉设计的融合与创新[J].包装工程,2019,40(16): 83-86.
JIN Helin. Integration and innovation of Chinese tradi-tional culture elements and dynamic visual design [J]. Packaging Engineering, 2019,40(16): 83-86.(in Chinese)
[9] 王俐.视觉动态在艺术中的运用[J].艺海,2010(6): 75.
WANG Li.The application of visual dynamics in art [J].The Art Sea, 2010(6): 75.(in Chinese)
[10] 佚名.2019春夏巴黎《Tony Ward》高级定制女装发布会[EB/OL].(2019-1-22)[2020-8-28].https:// www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_3968906-col_3-ver_focus/.
[11] 佚名.2018春夏马德里《Duyos》女装发布会[EB/OL].(2019-1-24)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_3316890-col_3-ver_focus/.
[12] 佚名.2020—20211秋冬伦敦《Richard Quinn》女装发布[EB/OL].(2020-2-27)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_4524735-col_3-ver_focus/.
[13] 宋思捷.光影的形上之美——以“白墙落影”的光影现象为例[J].绵阳师范学院学报,2019,38(1): 34- 42.
SONG Sijie. The metaphysical beauty of light and shadow:a case study on the technique of "falling shadow on a white wall" [J].Journal of Mianyang Teachers’ College, 2019,38(1): 34- 42.(in Chinese)
[14] 沈晓东,奚纯.探析环境艺术空间中光影美的内涵——虚实、动态、秩序、意境[J].文教资料,2008(18): 75-77.
SHEN Xiaodong, XI Chun.To explore and analyze the connotation of light and shadow beauty in environmental art space—virtual reality, dynamic, order, artistic conception[J]. Data of Culture and Education, 2008(18): 75-77.(in Chinese)
[15] 佚名.2018早秋纽约《Pamella Roland》女装发布会[EB/OL].(2017-12-11)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_3427157-col_3-ver_focus/.
[16] 佚名.2016春夏《The Blonds》女装发布会[EB/OL].(2015-9-18)[2020-8-28].https://www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_139291-col_3-ver_focus/.
[17] 佚名.2018—2019秋冬罗马《World of fashion》高级定制女装发布会[EB/OL].(2018-1-30)[2020-8-28].https://www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_3714833-col_3-ver_focus/.
[18] 张凌浩,娄明,何娟.产品符号感官体验中的艺术通感转译[J].包装工程,2018,39(6): 14-19.
ZHANG Linghao, LOU Ming, HE Juan.Art synesthesia translation in the sensory experience of product symbol [J]. Packaging Engineering, 2018,39(6): 14-19.(in Chinese)
[19] 高星.基于触感体验的连物绣装饰创新运用[J].服装学报,2020,5(1): 54- 60.
GAO Xing. Innovative application of Lianwu embroidery decoration based on tactile experience [J]. Journal of Clothing Research, 2020,5(1): 54- 60.(in Chinese)
[20] 佚名.2018春夏巴黎《Rani Zakhem》高级定制女装发布会[EB/OL].(2018-1-24)[2020-8-28].https:// www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_3476261-col_3-ver_focus/.
[21] 佚名.2020春夏巴黎《Givenchy》高级定制女装发布会[EB/OL].(2020-1-21)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_4492528-col_3-ver_focus/.
[22] 佚名.2020春夏巴黎《Balmain》女装发布会[EB/OL].(2019-9-27)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_4372512-col_3-ver_focus/.
[23] 刘小路,韦鑫珠,丁虹月.基于情感映射方法的校园文化纪念品设计研究[J].包装工程,2019(14): 273-278.
LIU Xiaoliu, WEI Xinzhu, DING Hongyue.Research on campus cultural souvenir design based on emotion mapping method[J]. Packaging Engineering, 2019(14): 273-278.(in Chinese)
[24] 高星,邢颖.非物质视域下现代珠绣装饰设计语言解读[J].丝绸,2020,57(4): 107-111.
GAO Xing, XING Ying.Interpretation of modern beading decoration design language from immaterial perspective[J]. Journal of Silk, 2020,57(4): 107-111.(in Chinese)
[25] 佚名.2019春夏纽约《Pamella Roland》女装发布会[EB/OL].(2018-9-7)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_3784825-col_3-ver_focus/.
[26] 佚名.2019春夏巴黎《Elie Saab》高级定制女装发布会[EB/OL].(2019-1-24)[2020-8-28].https://www. pop-fashion.com/details/bookpresscon/t_presscondetails-id_3972445-col_3-ver_focus/.
[27] 佚名.2017—2018秋冬巴黎《Balmain》女装发布会[EB/OL].(2017-3-3)[2020-8-28].https://www.pop- fashion.com/details/bookpresscon/t_presscondetails-id_3100811-col_3-ver_focus/.
[28] 佚名.2017—2018秋冬纽约《The Blonds》女装发布会[EB/OL].(2017-2-25)[2020-8-28].https://www.pop-fashion.com/details/bookpresscon/t_presscondetails-id_3052205-col_3-ver_focus/.
(责任编辑:张 雪)

更新日期/Last Update: 2021-06-30