[1]郭炤含,张晓霞*.明清织绣品中鱼纹的艺术表征及其文化内涵[J].服装学报,2024,9(01):72-80.
 GUO Zhaohan,ZHANG Xiaoxia*.Research on Artistic Representation and Cultural Connotation of Fish Pattern in Ming and Qing Dynasty Fabric and Embroidery[J].Journal of Clothing Research,2024,9(01):72-80.
点击复制

明清织绣品中鱼纹的艺术表征及其文化内涵()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第9卷
期数:
2024年01期
页码:
72-80
栏目:
服饰文化
出版日期:
2024-03-01

文章信息/Info

Title:
Research on Artistic Representation and Cultural Connotation of Fish Pattern in Ming and Qing Dynasty Fabric and Embroidery
作者:
郭炤含;  张晓霞*
苏州大学 艺术学院,江苏 苏州 215127
Author(s):
GUO Zhaohan;  ZHANG Xiaoxia*
School of Art, Soochow University, Suzhou 215127, China
分类号:
J 523
文献标志码:
A
摘要:
鱼纹历史悠久,因其造型丰富、取意吉祥,在明清织绣品中独树一帜,对其艺术表征及文化内涵进行探析,进而传承和发扬中国传统纹饰艺术。采用文献研究及图案分析的方法,对明清织物和刺绣品中鱼纹的形态、造型、色彩特征进行归纳,分析其艺术特征并探讨其背后蕴含的民俗文化。研究表明,明清织绣品上的鱼纹具有题材寓意丰富、造型灵动、色彩鲜明、工艺精巧等艺术特点,它诠释了中华民族源远流长的生殖崇拜、明清时期蓬勃发展的吉祥文化,以及超脱世俗的“鱼乐”思想。
Abstract:
As a longstanding decorative pattern, fish patterns in Ming and Qing Dynasty embroidery are distinctive for their rich shapes and auspicious meanings. Analyzing the artistic representation and cultural connotations of fish patterns has profound significance for inheriting and promoting traditional Chinese decorative arts. This article employs literature research and pattern analysis methods to analyze the fish pattern’s form, shape, and color characteristics of fish patterns in tapestry and embroidery. The study explores their artistic characteristics and the cultural connotations behind them. The research shows that fish patterns on Ming and Qing Dynasty embroidery have artistic characteristics such as rich thematic meanings, dynamic shapes, bright colors, and exquisite craftsmanship. They interpret the ancient Chinese fertility worship, the prosperous auspicious culture of the Ming and Qing Dynasties and the transcendent "fish joy" philosophy beyond secular life.

参考文献/References:

[1] 周科. 民间服饰中的鱼纹样[J]. 科技信息(学术研究), 2008(32): 617.
ZHOU Ke. Fish patterns in folk costumes[J]. Science and Technology Information(Academic Edition), 2008(32): 617.(in Chinese)
[2] 赵丰. 中国历代丝绸艺术·辽金[M]. 杭州:浙江大学出版社,2021:137.
[3] 高春明. 中华元素图典·传统织绣纹样·花卉虫鱼[M]. 上海:上海锦绣文章出版社,2009:104,108,110,123,127,186.
[4] 邝杨华. 中国历代丝绸艺术·民间刺绣[M]. 杭州:浙江大学出版社,2021:45,73,100,102.
[5] 张爱丹. 中国丝绸织物纹饰的美感特质与演变[M]. 上海:东华大学出版社,2023.
[6] 宗凤英. 明清织绣[M]. 上海:上海科学技术出版社,2005:45.
[7] 梁惠娥,傅茗琪.传统女性肚兜中的生殖符号[J].服装学报,2022,7(1):29-34.
LIANG huie,FU Mingqi.Reproductive symbols in traditional female bellyband[J].Journal of Clothing Research,2022,7(1):29-34.(in Chinese)
[8] 俞晓群,王露芳. 中国古代丝绸设计素材图系·小件绣品卷[M]. 杭州:浙江大学出版社,2018:32,135.
[9] 赵本钧. 简论中国古代装饰艺术的图案化、抽象化及表现化特点[J].皖西学院学报,2013,29(1):113-117.
ZHAO Benjun. On the rules of decorative arts’patterning,abstraction and expression in ancient China[J]. Journal of West Anhui University, 2013,29(1): 113-117.(in Chinese)
(责任编辑:卢 杰)

更新日期/Last Update: 2024-03-11