参考文献/References:
[1] 王平善,王安霞.非物质文化遗产传承与保护背景下的无锡精微绣数字化设计[J].艺术设计研究,2014(5):24-30.
WANG Pingshan,WANG Anxia.Under the background of intangible cultural heritage inheritance and protection of wuxi subtle embroidered digital design[J].Art and Design Research,2014(5):24-30.(in Chinese)
[2] 汤可可,盛晓奇.百年芳华·锡绣溢彩[M].南京:凤凰出版社,2012:37.
[3] 徐艺乙.传承人在非物质文化遗产生产性保护中的作用[J].贵州社会科学,2012(12): 4-8.
XU Yiyi. Passing on people in the protection of intangible cultural heritage of productive function[J].Social Sciences in Guizhou,2012(12): 4-8.(in Chinese)
[4] 柳宗悦.民艺论[M]. 孙建君,译.南昌:江西美术出版社,2002:8.
[5] 许明星.论江南民间刺绣艺术[D].南京:东南大学,2010.
[6] 刘须明,凌继尧.从约翰·罗斯金的一次演讲观其艺术思想的现代意义[J].东南大学学报(哲学社会科学版),2005,7(5):48-50.
LIU Xuming,LING Jiyao.From John ruskin’s view of a speech the modern significance of the artistic thought[J].Journal of Southeast University(Philosophy and Social Science),2005,7(5):48-50.(in Chinese)
[7] 金虹.苏州传统手工艺传承与发展的难点与策略研究——以桃花坞木刻年画为例[D].苏州:苏州大学,2012.
[8] 范强. 刺绣与现代服饰[J]. 丝绸,2005,42(7): 14-15.
FAN Qiang.Embroidery and modern dress[J]. Silk,2005,42(7):14-15.(in Chinese)
(责任编辑:卢杰,杨勇)