[1]陈建伟,司亚慧,金 蕾.树皮布服饰蕴含了黎族丰富的服饰文化[J].服装学报,2016,1(05):511-515.
 CHEN Jianwei,SI Yahui,JIN Lei.Tapa Intensively Reflects the Culture of Li Clothing[J].Journal of Clothing Research,2016,1(05):511-515.
点击复制

树皮布服饰蕴含了黎族丰富的服饰文化()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第1卷
期数:
2016年05期
页码:
511-515
栏目:
服装服饰文化
出版日期:
2016-10-30

文章信息/Info

Title:
Tapa Intensively Reflects the Culture of Li Clothing
作者:
陈建伟;  司亚慧;  金 蕾
青岛大学 纺织服装学院,山东 青岛 266071
Author(s):
CHEN Jianwei;  SI Yahui;  JIN Lei
College of Textiles and Clothing,Qingdao University,Qingdao 266071,China
分类号:
J 523.5
文献标志码:
A
摘要:
针对树皮布服饰,提出树皮布在黎族纺织服装史上具有不可替代的地位,它是人类从无纺时代走向有纺时代的有力证明,对黎族服饰文化的影响涵盖了物质、社会和精神3个层面。树皮布是黎族服饰史的开端,其原材料及生产工艺体现了天人合一的造物观念,并为后世研究原始社会服饰文化提供了活态资料。同时,它作为一种具体的生活方式受到社会环境中各种因素的影响,具有鲜明的社会性。从树皮布服饰中还可以窥见黎族先民对美的理解与追求,以及他们的宗教信仰与朴素的哲学思想。
Abstract:
Tapa has an irreplaceable position in the history of Li textile and clothing,it is a powerful evidence to prove human from non-woven era to spinning era.Its influences to the Li nationality clothing culture cover three aspects,matter,society and spirit,respectively.Tapa is the beginning of Li clothing history and its raw materials and production process embody the concept of creation that man is in harmony with nature.Meanwhile,as a life style,Li tapa has distinct sociality and it is affected by many social external factors.Li ancestors’ understanding and pursuit of beauty,religion and philosophy thinking can be seen clearly from the tapa costume.

参考文献/References:

[1] 邓聪.史前蒙古人种海洋扩散研究——岭南树皮布文化发现及其意义[J].东南文化,2000(11):6-22.
DENG Cong.Study on the diffusion of the prehistoric people of Mongolia——discovery the cultural and its significance of the South bark cloth[J].Southeast Culture,2000(11):6-22.(in Chinese)
[2] 王静.史前石拍与海南岛树皮布[C]//蒋炳钊.百越文化研究——中国百越民族史学会第十二次年会暨百越文化国际学术研讨会论文集.厦门:厦门大学出版社,2004:262.
[3] 邓聪.海南岛树皮布的几个问题[C]//周伟民.琼粤地方文献国际学术研讨会论文集.海口:海南出版社,2002:209.
[4] 苑涛.论中国古代服饰的文化形态[J].文史哲,2004(5):42.
YUAN Tao.On the cultural formation of ancient Chinese costumery[J].Journal of Literature,History and Philosophy,2004(5):42.(in Chinese)
[5] 孙海兰,焦勇勤.符号与记忆:黎族织锦文化研究[M].上海:上海大学出版社,2012.
[6] 王晨,林开耀.黎锦[M].苏州:苏州大学出版社,2011.
[7] 高泽强.海南岛树皮布历史溯源[J].广西民族研究,2007(2):146.
GAO Zeqiang.The historical origin of bark cloth of Hainan island[J].Study of Ethnics in Guangxi,2007(2):146.(in Chinese)
[8] 科尔纽.马克思的思想起源[M].北京:中国人民大学出版社,1987:75.
[9] 苏小燕.中国古代纺织工具造物思想及美学特征[J].艺术与设计,2008(3):202.
SU Xiaoyan.Chinese ancient textile tool creation thought and aesthetic characteristics[J].Art and Design,2008(3):202.(in Chinese)
[10] 李露亮,闻学任.关于服饰的起源[J].商丘师范学院学报,1991(4):80.
LI Luliang,WEN Xueren.About the origin of clothing[J].Journal of Shangqiu Teachers College,1991(4):80.(in Chinese)
[11] 袁晓莉.生存与创物——黎族造物研究[D].南京:南京艺术学院,2013:300.
(责任编辑:杨 勇)

更新日期/Last Update: 2017-01-04