[1]梁惠娥,唐 欢.宝相花纹样的造型演变及其内涵[J].服装学报,2018,3(06):540-543.
 LIANG Huie,TANG Huan.Development of Baoxiang Flower Pattern’s Modeling and Its Meaning[J].Journal of Clothing Research,2018,3(06):540-543.
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宝相花纹样的造型演变及其内涵()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第3卷
期数:
2018年06期
页码:
540-543
栏目:
服装服饰文化
出版日期:
2018-12-28

文章信息/Info

Title:
Development of Baoxiang Flower Pattern’s Modeling and Its Meaning
作者:
梁惠娥1; 2; 3;  唐 欢1; 2
1.江南大学 纺织服装学院,江苏 无锡 214122; 2.江苏省非物质文化遗产研究基地,江苏 无锡 214122; 3.无锡工艺职业技术学院 名师工作室,江苏 无锡 214206
Author(s):
LIANG Hui’e1; 2; 3;  TANG Huan1; 2
1. School of Textile and Clothing,Jiangnan University,Wuxi 214122,China; 2. Non-Material Culture Heritage Base of Jiangsu Province,Jiangnan University,Wuxi 214122,China; 3. Master Studio,Wuxi Vocational Institute of Arts and Technology,Wuxi 214206,China
分类号:
TS 941.12
文献标志码:
A
摘要:
宝相花纹样源于南北朝时期佛教的传入,随着与本土文化的融合发展,其逐渐演变为中国传统纹样之一,且被大量运用在服装、陶瓷、家纺中。宝相花纹样将外来与本土纹样结合,吸收众纹样之美,其造型与内涵随着时代发展而不断变化。按照不同的时期,可将宝相花纹样的发展划分为5个阶段。通过研究宝相花纹样不同阶段造型与含义的发展,从中寻找传统纹样的现代设计方法,为宝相花纹样的设计运用提供理论基础。
Abstract:
Baoxiang flower patterns originated from Buddhism spreading period in the Northern and Southern Dynasties. Along with the integration and development between the Buddhism culture and local culture, it gradually changed into one of the traditional patterns of our country, widely used in clothing, ceramics, textile products. Baoxiang flower combines with the foreign and local patterns and absorb the beauty of the patterns. Its form and content change continuously with the development of the times. According to the different stages, the development of Baoxiang flower patterns can be divided into five stages. By studying the shapes and meanings of the different stages of the Baoxiang flower pattern, we can look for the modern design methods of the traditional patterns. This study provides a theoretical basis for the design and application of the patterns of the treasures.

参考文献/References:

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(责任编辑:沈天琦,邢宝妹)

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更新日期/Last Update: 2018-12-28