[1]杜 博,王曼倩.“色墨气韵”于现代丝巾图饰中的物承形式[J].服装学报,2016,1(03):309-312.
　DU Bo,WANG Manqian.Oriental Ink Art in Modern Scarf Decoration Design Survey[J].Journal of Clothing Research,2016,1(03):309-312.
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“色墨气韵”于现代丝巾图饰中的物承形式()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第1卷
期数:
2016年03期
页码:
309-312
栏目:
服装设计艺术
出版日期:
2016-07-28

文章信息/Info

Title:
Oriental Ink Art in Modern Scarf Decoration Design Survey
作者:
杜 博;  王曼倩
大连工业大学 服装学院,辽宁 大连 116034
Author(s):
DU Bo;  WANG Manqian
School of Fashion,Dalian Polytechnic University,Dalian 116034,China
分类号:
TS 941.11
文献标志码:
A
摘要:
从“气韵生动”、“诗画同源”、“虚实相生”3个层面进行水墨意境的解析,并与丝巾图饰主题设计结合案例分析,认为中国水墨画的笔墨技法、章法布局、色墨交融的表现方式与诗、书、画、印等视觉元素的完美结合对丝巾图饰设计有重要影响。丝巾中呈现水墨意境不但可以增添艺术美感,更能传播弘扬中国的传统美学精神。
Abstract:
Patten decoration is the soul of scarf design and the decoration design focuses on the concept convey, it is feasible and necessary to integrate Chinese ink art with modern fashion scarf pattern. As silk and ink being the representative of Chinese civilization, there are numerous association between them. The article analyses three levels of ink mood,respectively, "Lively rhyme"、"Poetry homologous"、"Virtual and real", and finds out that their way of expression and their integration with visual elements such as poems, books, paintings and prints have important impact on the pattern design of scarves. The embodiment of Chinese ink and wash painting elements in scarf design can not only increase the aesthetic appeal of the product, but also spread and develop Chinese traditional aesthetic spirit.

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(责任编辑:杨 勇)

更新日期/Last Update: 2016-07-04