参考文献/References:
[1] 方李莉. 技艺传承与社会发展——艺术人类学视角[J]. 江南大学学报(人文社会科学版), 2011, 10(3): 97-109.
FANG Lili. Skill inheritance and social development—from art and anthropological perspectives[J]. Journal of Jiangnan University(Humanities and Social Sciences Edition), 2011, 10(3): 97-109.(in Chinese)
[2] 王亚蓉. 中国刺绣[M]. 沈阳: 万卷出版公司, 2018.
[3] 李楠. 东疆维吾尔族织绣纹样研究[D]. 济南: 山东大学, 2018.
[4] 曹亚男. 湘西苗族踏虎凿花研究[D]. 赣州: 赣南师范学院, 2012.
[5] 马熙逵. 羌绣文化生态属性及当代价值研究[D]. 上海: 上海大学, 2016.
[6] 何兆华. 花样本:贵州苗族刺绣技艺传承与地方社会[J].民俗曲艺, 2016(6): 97-165.
HE Zhaohua. Embroidered images: women’s inheritance of embroidery techniques and local Miao communities in Guizhou Province [J]. Folk Quyi, 2016(6): 97-165.(in Chinese)
[7] 叶荫茵. 苗绣商品化视域下苗族女性社会性别角色的重塑——基于贵州省台江县施洞镇的个案研究[J]. 民俗研究, 2017(3): 86-92, 158-159.
YE Yinyin. Commodification of Miao embroidery and reconfiguration of gender roles: a case study of Miao ethnic group in Shidong Town, Guizhou Province[J]. Folklore Studies, 2017(3): 86-92, 158-159.(in Chinese)
[8] 邓启耀.中国传统刺绣工艺的多重文化遗产价值[C]//邓启耀.中国传统刺绣研究——首届中国非物质文化(刺绣)遗产国际论坛论文集.北京:科学出版社,2020.
[9] 鸟丸贞惠. 织就岁月的人们:中国贵州苗族染织探访20年[M]. 福冈: 西日本新闻社, 2006.
[10] 张启旭,王宏付.筠连苗绣的艺术特征及针法技艺考究[J].服装学报,2023,8(6):539-545.
ZHANG Qixu,WANG Hongfu.Research on the artistic characteristics and needlework skills of Junlian Miao embroidery[J].Journal of Clothing Research,2023,8(6):539-545.(in Chinese)
[11] 杨尔雅,柴娟.陕西宁强羌绣纹样艺术分析及其创新设计[J].服装学报,2023,8(3):265-275.
YANG Erya,CHAI Juan.Artistic analysis and innovative design of the Qiang ethnic embroidery patterns in Ningqiang, Shaanxi[J].Journal of Clothing Research,2023,8(3):265-275.(in Chinese)
[12] 万顺. 文化书写与历史记忆: Hmong人“刺绣故事布” 艺术[J]. 贵州民族研究, 2019, 40(8): 69-75.
WAN Shun. Cultural writing and historical memory: the art of "embroidery story cloth" by Hmong people[J]. Guizhou Ethnic Studies, 2019, 40(8): 69-75.(in Chinese)
[13] 赵胜男, 王晓艳. 美国瑶族身份认同的物化表达——以“尤勉” 刺绣与服饰为例[J]. 民族论坛, 2014(8): 85-88.
ZHAO Shengnan, WANG Xiaoyan. The materialized expression of the identity of Yao nationality in America—taking "youmian" embroidery and costume as an example[J]. Minzu Tribune, 2014(8): 85-88.(in Chinese)
[14] 王庆贺, 柏贵喜. 圈层叠合: 婚姻圈中的绣娘流动与苗族刺绣基因传递[J]. 广西民族研究, 2021(4): 116-125.
WANG Qinghe, BAI Guixi. The overlap of circles: the marriage migration of embroidery women and the genetic transmission of Miao embroidery[J]. Guangxi Ethnic Studies, 2021(4): 116-125.(in Chinese)
[15] 章海虹. “非遗” 视角下中国民族刺绣地域性图案学研究[J]. 艺术与设计(理论), 2015(10): 128-130.
ZHANG Haihong. Chinese national embroidery regional pattern studies under the "intangible culture heritage" perspective[J]. Art and Design(Theory), 2015(10): 128-130.(in Chinese)
[16] 肖锟, 马诚. 新疆锡伯族刺绣文化的历史继承及前景探析[J]. 新疆社会科学, 2014(6): 107-112.
XIAO Kun, MA Cheng. Historical inheritance and prospect of Xibo embroidery culture in Xinjiang[J]. Social Sciences in Xinjiang, 2014(6): 107-112.(in Chinese)
[17] 丁荣泉, 龙湘平. 苗族刺绣发展源流及其造型艺术特征[J]. 中南民族大学学报(人文社会科学版), 2003, 23(4): 25-28.
DING Rongquan, LONG Xiangping. Analyzation to the embroidery by Miao nationality[J]. Journal of South-Central University for Nationalities(Philosophy and Social Science), 2003, 23(4): 25-28.(in Chinese)
[18] 周乙陶. 文化变迁中的苗绣[M]. 武汉: 湖北人民出版社, 2011.
[19] 麻国庆. 跨界的人类学与文化田野[J]. 广西民族大学学报(哲学社会科学版), 2015, 37(4): 39- 43.
MA Guoqing. Transboundary anthropology and cultural fieldwork[J]. Journal of Guangxi University for Nationalities(Philosophy and Social Science Edition), 2015, 37(4): 39- 43.(in Chinese)
[20] 熊瑛. 地方志中民间手工艺史料的发掘与利用——以明代织绣为例[J]. 民族艺术研究, 2016, 29(2): 234-241.
XIONG Ying. Exploration and utilization of the historical materials of folk crafts in chorography—taking Ming Dynasty embroidery as example[J]. Ethnic Art Studies, 2016, 29(2): 234-241.(in Chinese)
[21] 林毅红. 贵州水族马尾绣背带“奢” 与“朴” 的文化解读[J]. 贵州民族研究, 2010, 31(5): 54-57.
LIN Yihong. Some understandings of the luxury and simplicity culture of Shui zu nationality’s specialty, a kind of strap embroidery nade of horsetail called horsetail embroidery of Guizhou Province[J]. Guizhou Ethnic Studies, 2010, 31(5): 54-57.(in Chinese)
[22] 李宏复.中国少数民族刺绣工艺文化的抢救与保护[C]//艺术人类学与当代社会发展——2015年中国艺术人类学学术研讨会论文集(上).无锡:中国艺术人类学学会,2015.
[23] 刘超, 郑强, 梁列峰. 黔东南苗族堆绣绣片工艺分析与复原[J]. 服装学报, 2020, 5(6): 498-502.
LIU Chao, ZHENG Qiang, LIANG Liefeng. Analysis and restoration of the heap embroidery of Miao in southeast Guizhou[J]. Journal of Clothing Research, 2020, 5(6): 498-502.(in Chinese)
[24] 葛又铭. 浅谈少数民族刺绣文物的保护修复——以一件传世苗族刺绣背带的保护修复为例[J].民博论丛, 2017(1): 21-28.
GE Youming. A brief discussion on the protection and restoration of ethnic minority embroidery cultural relics—taking the protection and restoration of a embroidered baby-carrying strap of Miao as an example[J]. Minbo Luncong, 2017(1): 21-28.(in Chinese)
[25] 姚莉, 田兆元. 基于民俗叙事路径的“认同性经济” 建构——以传统手工技艺类非遗侗族刺绣为研究对象[J]. 贵州民族研究, 2021, 42(4): 88-97.
YAO Li, TIAN Zhaoyuan. The construction of "identity economy" based on the path of folklore narrative: take intangible cultural heritage of traditional handicrafts Dong embroidery as an example[J]. Guizhou Ethnic Studies, 2021, 42(4): 88-97.(in Chinese)
[26] 裴谕新. 性、社会性别与充权: 关于四川地震灾区妇女刺绣小组领袖的个案研究[J]. 妇女研究论丛, 2011(5): 34- 46.
PEI Yuxin. Gender, sexuality and empowerment: a case study of women leaders in embroidery groups after the Sichuan earthquakes on May 12[J]. Collection of Women’s Studies, 2011(5): 34- 46.(in Chinese)
[27] 敖惠. 民族文化知识产权保护解析——以水族马尾绣为例[J]. 贵州民族研究, 2018, 39(6): 18-22.
AO Hui. The protection of intellectual property rights of ethnic culture: a case of Shui nationality’s cauda embroidery[J]. Guizhou Ethnic Studies, 2018, 39(6): 18-22.(in Chinese)
[28] 方健. 中国传统刺绣的社会文化史解析[J]. 丝绸, 2014, 51(12): 56- 63.
FANG Jian. Analysis on social and cultural history of Chinese traditional embroidery[J]. Journal of Silk, 2014, 51(12): 56- 63.(in Chinese)
[29] 高莉, 王京鑫, 牛乐. 乡村振兴背景下的妇女手工艺生产——临夏州东乡县刺绣扶贫车间调查研究[J]. 青海民族大学学报(社会科学版), 2022, 48(1): 51-57.
GAO Li, WANG Jingxin, NIU Le. Women’s handicraft production under the background of rural revitalization—investigation of embroidery poverty reduction workshop in Dongxiang County, Linxia Prefecture[J]. Journal of Qinghai Minzu University(Social Sciences), 2022, 48(1): 51-57.(in Chinese)
[30] TORIMARU T. Similarities of Miao embroidery and ancient Chinese embroidery and their cultural implications[J]. Research Journal of Textile and Apparel, 2011, 15(1): 52-57.
[31] 刘宗明, 陈旭辉. 基于跨界思维下的瑶绣编织技艺与家具设计融合创新[J]. 家具与室内装饰, 2024, 31(6): 8-14.
LIU Zongming, CHEN Xuhui. The integration and innovation of Yao embroidery weaving technique and furniture under cross-border thinking[J]. Furniture and Interior Design, 2024, 31(6): 8-14.(in Chinese)
[32] 李智环, 徐黎丽. 人类学视野下的少数民族妇女经济组织研究——以新疆喀什地区疏勒县“迪丽凯西民族刺绣协会”为例[J]. 新疆社会科学, 2010(2): 109-114.
LI Zhihuan, XU Lili. A study on the economic organization of minority women from the perspective of anthropo-logy—a case study of "Dilikasi National Embroidery Association" in Shule County, Kashgar, Xinjiang[J]. Social Sciences in Xinjiang, 2010(2): 109-114.(in Chinese)
[33] 靳璨, 梁惠娥. 程式化与专业化: 清代女性服饰中的刺绣装饰[J]. 艺术设计研究, 2022(3): 36- 42.
JIN Can, LIANG Hui’e. Stylization and specialization: embroidery decoration in women’s clothing in the Qing Dynasty[J]. Art and Design Research, 2022(3): 36- 42.(in Chinese)
[34] 崔荣荣. 中国传统纺织服饰图案研究述评及价值阐释[J]. 包装工程, 2022, 43(6): 11-23, 401.
CUI Rongrong. Chinese costume culture and its value in the new era[J]. Packaging Engineering, 2022, 43(6): 11-23, 401.(in Chinese)
[35] 陈宇. 符号消费视角下羌族刺绣品牌视觉形象设计[J]. 贵州民族研究, 2017, 38(2): 128-131.
CHEN Yu. The design of Qiang embroidery brand image from the perspective of symbolic consumption[J]. Guizhou Ethnic Studies, 2017, 38(2): 128-131.(in Chinese)
[36] 匡迁.壮族传统刺绣在皮革时装中的创新设计应用[J].皮革科学与工程,2022,32(4):98-103.
KUANG Qian. Innovative design application of Zhuang traditional embroidery in leather fashion[J]. Leather Science and Engineering, 2022, 32(4): 98-103.(in Chinese)
[37] 罗婷,郑冬琴. 基于人工智能的传统手工艺彝族刺绣艺术设计融合创新研究[J]. 家具与室内装饰, 2024, 31(8): 17-23.
LUO Ting, ZHENG Dongqin.Research on the integration and innovation of traditional handicraft Yi embroidery art design based on artificial intelligence[J]. Furniture and Interior Design, 2024, 31(8): 17-23.(in Chinese)
[38] 张效娟. “非遗” 数字化保护中的“在场” 问题研探——以青海刺绣艺术数字化保护为例[J]. 青海民族研究, 2018, 29(2): 106-109.
ZHANG Xiaojuan. Research on the "presence" in the digital protection of "intangible cultural heritage" —taking the digital protection of Qinghai embroidery art as an example[J]. Qinghai Journal of Ethnology, 2018, 29(2): 106-109.(in Chinese)(责任编辑:沈天琦)