参考文献/References:
[1] RANTISI N. How New York stole modern fashion[J]. Fashion’s World Cities, 2006: 109-122.
[2] 石继军.大众传媒对流行文化传播影响探析[J].文化创新比较研究, 2019,3(8):58-59.
SHI Jijun. Analysis on the influence of mass media on the spread of popular culture[J]. Comparative Study of Cultural Innovation, 2019, 3(8): 58-59.(in Chinese)
[3] HOLLANDER A. The modernization of fashion[J]. Design Quarterly, 1992(154): 27.
[4] PAPALAS M. Performative fashion discourse: vogue Paris and elsa Schiaparelli[J]. International Journal of Fashion Studies, 2016, 3(1): 69-89.
[5] 谢蕊, 周梦. 优雅与叛逆——加布里埃·香奈儿与艾尔莎·夏帕瑞丽的比较分析[J]. 浙江纺织服装职业技术学院学报, 2019, 18(3): 62- 66.
XIE Rui, ZHOU Meng. Elegance and rebellion—comparative analysis of Gabriel Chanel and elsa chaparelli[J]. Journal of Zhejiang Fashion Institute of Technology, 2019, 18(3): 62- 66.(in Chinese)
[6] PAPALAS M. Avant-garde cuts: Schiaparelli and the construction of a surrealist femininity[J]. Fashion Theory, 2016, 20(5): 503-522.
[7] 彭永茂. 谈30年代夏帕莱里的服饰艺术[J]. 艺术工作, 2017(3): 79-81.
PENG Yongmao. On palleri’s costume art in the summer of 1930s[J]. Art Work, 2017(3): 79-81.(in Chinese)
[8] EVANS C. Masks, mirrors and mannequins: elsa Schiaparelli and the decentered subject[J]. Fashion Theory, 1999, 3(1): 3-31.
[9] PAPALAS M. Fashion in interwar France: the urban vision of Elsa Schiaparelli[J]. French Cultural Studies, 2017, 28(2): 159-172.
[10] 费城艺术博物馆.夏帕瑞丽设计的女士晚装裙[EB/OL].(1937-02-15)[2023-03-15].http://philamuseum.org/collection/object/65327.
[11] SWEENEY-RISKO J. Elsa Schiaparelli, the new woman, and surrealist politics[J]. Interdisciplinary Literary Studies, 2015, 17(3): 309-329.
[12] SCHIAPARELLI E. Shocking life[M]. London:V&A Publishing, 2018:116-128.
[13] 帕梅拉·戈布林.时装的自白[M]. 邓悦现,译.重庆:重庆出版社, 2018:93-114.
(责任编辑:张 雪)