[1]杨 茜,孔凡栋*.明代楼阁人物簪钗的成因探析[J].服装学报,2023,8(03):248-253.
　YANG Xi,KONG Fandong*.Analysis on the Causes of Pavilions and Figures Hairpins in the Ming Dynasty[J].Journal of Clothing Research,2023,8(03):248-253.
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明代楼阁人物簪钗的成因探析()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第8卷
期数:
2023年03期
页码:
248-253
栏目:
服饰文化
出版日期:
2023-06-30

文章信息/Info

Title:
Analysis on the Causes of Pavilions and Figures Hairpins in the Ming Dynasty
作者:
杨 茜1;  孔凡栋*2; 3
1.浙江理工大学 服装学院,浙江 杭州 310018; 2.浙江理工大学 国际时装技术学院,浙江 杭州 310018; 3.中国美术学院 设计艺术学院,浙江 杭州 310024
Author(s):
YANG Xi1;  KONG Fandong*2; 3
1. School of Fashion Design, Zhejiang Sci-Tech University, Hangzhou 310018, China; 2. International Fashion Technology College, Zhejiang Sci-Tech University, Hangzhou 310018, China; 3. College of Design, China Academy of Art, Hangzhou 310024, China
分类号:
TS 941.3
文献标志码:
A
摘要:
楼阁人物题材的簪首在明代出现并兴盛,通过对古籍文献、墓葬出土简报和出土实物的梳理,分析明代楼阁人物题材簪首形成的原因。研究表明,楼阁人物簪钗是螺钿漆器流行纹样与界画双重作用下的产物,同时簪首的设计也受到金银制作工艺水平及造园活动的影响,其凸显了持有者的个人喜好与政治需求。
Abstract:
The hairpins on the theme of pavilion figures appeared and flourished in the Ming Dynasty. The reasons for the formation of hairpins on the theme of pavilion figures in the Ming Dynasty were analyzed by combing the ancient books and documents, the briefs unearthed in tombs and the unearthed objects. The research shows that the hairpin of the pavilion figure is the product of the double effect of the popular pattern of mother-of-pearl lacquer and boundary painting, and the design of the hairpin head is also affected by the level of gold and silver making technology and gardening activities, which highlights the personal preferences and political needs of the holder.

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更新日期/Last Update: 2023-06-30