[1]于 洋,范作泽,初晓玲*.基于视错觉原理的肥胖体男士T恤设计[J].服装学报,2020,5(04):323-327.
　YU Yang,FAN Zuoze,CHU Xiaoling*.T-Shirt Design for Men with Fat Body Based on the Visual Illusion Theory[J].Journal of Clothing Research,2020,5(04):323-327.
点击复制

基于视错觉原理的肥胖体男士T恤设计()
分享到：

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第5卷
期数:
2020年04期
页码:
323-327
栏目:
服装设计艺术
出版日期:
2020-08-31

文章信息/Info

Title:
T-Shirt Design for Men with Fat Body Based on the Visual Illusion Theory
作者:
于 洋;  范作泽;  初晓玲*
青岛大学 纺织服装学院,山东 青岛 266071
Author(s):
YU Yang;  FAN Zuoze;  CHU Xiaoling*
College of Textiles and Clothing, Qingdao University, Qingdao 266071, China
分类号:
TS 941.7
文献标志码:
A
摘要:
为降低肥胖带给人感官上的冲击,以追求视觉上男士协调的身体曲线为目标,以具体设计案例为依据,运用视错觉原理,从服装色彩和图案入手,设计男士短袖T恤的视错觉图案。总结出在肥胖体男士T恤设计时宜用冷色系,并且合理利用疏密线条、指示性图案,从而弱化肥胖部位在视觉上的冲击,对男士肥胖形体起到修饰作用。
Abstract:
In order to reduce the sensory impact caused by obesity, this paper aimed to pursue the coordinated body curve of men visually. Based on the principle of visual illusion and specific design cases,this paper analyzed the clothing colors and patterns,using the principle of optical illusion, and tried to construct optical illusion pattern for men’s short-sleeved T-shirt. The results showed that cool colors were suit to the T-shirt design of fat men. The dense lines in the line misalignment, and the indicative patterns in the design of men’s T-shirts could reduce the impact of the obese parts on the visual effect, which modified the obese body of men.

参考文献/References:

[1] 张玲, 李俊林, 黄远霞,等. 武汉市18～55岁男性职业人群超重和肥胖相关知识知晓情况调查分析[J]. 华南预防医学, 2016(6):87-90.
ZHANG Ling, LI Junlin, HUANG Yuanxia, et al. Investigation and analysis of knowledge about overweight and obesity among male occupational population aged 18～55 in Wuhan[J]. South China Journal of Preventive Medicine, 2016(6): 87-90.(in Chinese)
[2] MASLOW A H.Motivation and personality[M].Los Angeles:Pearson,1997:117.
[3] 胡敏. 中西人体美观念及其表现形式比较研究[D].武汉:华中师范大学, 2006.
[4] MASSIMO B,ELEONORA B,GINO F,et al. Analysis of the requirements of RFID tags for efficient fashion supplychain management[J]. International Journal of RF Technologies,2002,3(1): 39- 65.
[5] 谢玻尔,肖立志.女装轮廓造型对体形美感的修饰作用[J].服装学报,2018,3(5):400- 405.
XIE Bo’er, XIAO Lizhi.Modification effect of the contour shape of the women’s dresses on the body-shape beauty[J]. Journal of Clothing Research, 2018,3(5): 400- 405.(in Chinese)
[6] 许平山,宿伟.视错觉原理在女装款式设计中的应用[J].兰州工业学院学报,2015,22(5):103-105.
XU Pingshan, SU Wei. Application of visual illusion principle in women’s fashion design[J].Journal of Lanzhou Institute of Technology,2015,22(5):103-105.(in Chinese)
[7] 常薇. 服装色彩 “视错觉” 图案的设计语言及运用[D].北京:北京服装学院, 2014.
[8] 张烁.浅析视错觉图形在招贴海报设计中的应用[J].艺术与设计(理论),2016,2(7):45- 47.
ZHANG Shuo. A brief analysis of the application of visual illusion graphics in poster design[J]. Art and Design(Theory),2016,2(7):45- 47.(in Chinese)
[9] 李皎.视错觉原理在平面设计中的应用[J].现代装饰(理论),2011(9):74-75.
LI Jiao.The application of optical illustion principle in graphic design[J].Modern Decoration(Theory),2011(9):74-75.(in Chinese)
[10] 王爱华. 基于服装MTM的我国三地区成年男子体型研究及男上装规格数据库的建立[D]. 上海:东华大学,2004.
[11] 康定斯基.康定斯基论点线面[M].北京:中国人民大学出版社,2003.
[12] 吴墨源. 分割线位置对横竖错觉影响的实验研究[D].福州:福建师范大学,2016.
[13] 刘燕瑛. 横竖错觉机制的眼动研究[D].上海:华东师范大学,2013.
[14] 刘天明.视觉语言与画面表现[J].艺术工作,2018(5):53-56.
LIU Tianming.Visual language and picture expression[J].Art Work,2018(5):53-56.(in Chinese)
(责任编辑:卢 杰)

相似文献/References:

[1]袁梦秋.禅意对于现代服装设计风格的影响[J].服装学报,2017,2(05):432.
　YUAN Mengqiu.Influences of Zen Aesthetics on Modern Fashion Design Style[J].Journal of Clothing Research,2017,2(04):432.
[2]桑盼盼,沈 雷*,谢 展.网络时代的智能安全服装设计现状[J].服装学报,2018,3(02):117.
　SANG Panpan,SHEN Lei*,XIE Zhan.Status of Intelligent Safety Clothing Design Under Network Age[J].Journal of Clothing Research,2018,3(04):117.
[3]罗 琳.基于道家“自然”“朴素”美学思想的服装设计实践[J].服装学报,2018,3(03):235.
　LUO Lin.Practice of Costume Design Based on Taoist Aesthetic Thought of "Nature" and "Simplicity"[J].Journal of Clothing Research,2018,3(04):235.
[4]张婷婷,王宏付*.3D打印服装的艺术美学特征及设计开发[J].服装学报,2018,3(03):241.
　ZHANG Tingting,WANG Hongfu*.Analysis and Design of the Art Aesthetic Characteristics of 3D Printing Clothing[J].Journal of Clothing Research,2018,3(04):241.
[5]邢 磊,陈文成*.基于老庄“素朴”思想下的服装设计可行性与方法[J].服装学报,2018,3(04):346.
　XING Lei,CHEN Wencheng*.Feasibility and Method of Garment Design Based on Laozi and Zhuangzi’s "Plain" Thought[J].Journal of Clothing Research,2018,3(04):346.
[6]钱旭林,乔 南*.现代服装设计中的“中国风”[J].服装学报,2018,3(05):416.
　QIAN Xulin,QIAO Nan*."Chinese Wind" in the Modern Fashion Design[J].Journal of Clothing Research,2018,3(04):416.
[7]王静渊.图册设计法在服装设计中的应用[J].服装学报,2018,3(06):535.
　WANG Jingyuan.Application of Sketch Book Design Method in Fashion Design[J].Journal of Clothing Research,2018,3(04):535.
[8]杜娟灵,王永进*.3D全息影像技术在服装领域的应用[J].服装学报,2019,4(02):106.
　DU Juanling,WANG Yongjin*.Application of 3D Holographic Image Technology in Garment Filed[J].Journal of Clothing Research,2019,4(04):106.
[9]朱宿宁,龚建培*.慢设计理念与“快时尚”服装语境[J].服装学报,2019,4(05):435.
　ZHU Suning,GONG Jianpei*.Inspiration of Slow Design Concept for "Fast Fashion"[J].Journal of Clothing Research,2019,4(04):435.
[10]唐 颖,刘伦伦,刘妍兵,等.可持续服装的情感化设计[J].服装学报,2020,5(06):503.
　TANG Ying,LIU Lunlun,LIU Yanbing,et al.Emotional Design of Sustainable Clothing[J].Journal of Clothing Research,2020,5(04):503.

更新日期/Last Update: 2020-08-30