参考文献/References:
[1] 司马迁.史记[M].北京:中华书局,1984.
[2] 林家骊.楚辞[M].北京:中华书局,2009.
[3] 院琨.楚国强盛与气候环境关系的初步分析[J].企业导报,2013(21):171-173.
YUAN Kun. A preliminary analysis on the relationship between the Chu State’s powerful and prosperity and its climate and environment[J]. Guide to Business, 2013(21):171-173.(in Chinese)
[4] 曾运乾,黄曙辉.尚书正读[M].上海:华东师范大学出版社,2011.
[5] 湖北省荆州地区博物馆.江陵马山一号楚墓[M].北京:文物出版社,1985.
[6] 湖南省博物馆,中国科学院考古研究所.长沙马王堆一号汉墓:上集[M].北京:文物出版社,1973.
[7] 湖北省博物馆.图说楚文化[M].武汉:湖北美术出版社,2006.
[8] 中国科学院考古研究所.长沙发掘报告[M].北京:科学出版社,1957.
[9] 湖北省博物馆.曾侯乙墓:上册[M].北京:北京文物出版社,1989.
[10] 湖南省博物馆,中国科学院考西研究所.长沙马王堆一号汉墓:下集[M].北京:文物出版社,1973.
[11] 湖南省博物馆,湖南省文物考古研究所.长沙马王堆二、三号汉墓:田野考古发掘报告:第1卷[M].北京:文物出版社,2004.
[12] 湖北省博物馆.曾侯乙墓:下册[M].北京:文物出版社,1989.
[13]上海市纺织科学研究院.长沙马王堆一号汉墓出土纺织品的研究[M].北京:文物出版社,1980.
[14] 王树金.马王堆汉墓服饰研究[M].北京:中华书局,2018.
[15] 院文清.江陵马山砖厂二号楚墓发掘简报[J].江汉考古,1987(3):30-34.
YUAN Wenqing. Brief report on excavation of No.2 Chu tomb in Mashan Brick Factory of Jiangling area[J]. Jianghan Archaeology,1987(3):30-34.(in Chinese)
[16] 彭军,王家政,王莉,等.湖北荆州熊家冢墓地2006—2007年发掘简报[J].文物, 2009(4):4-25.
PENG Jun, WANG Jiazheng, WANG Li,et al. A brief report on the excavation of Xiongjiazhong tomb in Jingzhou, Hubei Province from 2006 to 2007[J]. Cultural Relic, 2009(4):4-25.(in Chinese)
[17] 王丹, 李则斌. 大云山汉墓出土漆纱研究兼论楚系漆纱冠[J].东南文化,2017(4):61- 64.
WANG Dan, LI Zebin. The lacquered fabric remains unearthed from the Dayunshan Han tombs and the lacquered fabric hats originated from the Chu state[J]. Southeast Culture, 2017(4):61- 64.(in Chinese)
[18] 裴明相.楚人服饰考[M]//河南省考古学会.楚文化觅踪.郑州:中州古籍出版社,1986.
[19] 熊传新.楚国的丝织业[J]. 江汉论坛,1982(8):64- 67.
XIONG Chuanxin. The silk weaving industry of the state of Chu[J]. Jianghan Tribune,1982(8):64-67.(in Chinese)
[20] 姚伟钧.简论楚服[J].江汉论坛,1986(11):74-78.
YAO Weijun. A brief discussion on Chu costume[J]. Jianghan Tribune,1986(11):74-78.(in Chinese)
[21] 宋公文,张君.楚人服装习俗综论[J].湖北大学学报(哲学社会科学版),1989,16(6):70-76,108.
SONG Gongwen, ZHANG Jun. Study on the fashion custom of Chu people [J]. Journal of Hubei University(Philosophy and Social Science),1989,16(6):70-76,108.(in Chinese)
[22] 王从礼.楚国贵族佩饰形式初探[J].荆州师专学报,1992,15(4):23-29.
WANG Congli. Study on the styles of the accessories of Chu aristocrats[J]. Journal of Jingzhou Teachers College, 1992,15(4):23-29.(in Chinese)
[23] 刘信芳.楚人化妆与服饰艺术例说[J].东南文化,1992(5):188-191.
LIU Xinfang. Study on the makeup and costumes of Chu people[J]. Southeast Culture,1992(5):188-191.(in Chinese)
[24] 邵学海.冠带衣履天下——楚国的丝织与刺绣[J].理论月刊,1993(4):42- 44,31.
SHAO Xuehai. Dress up all the world:silk weaving and embroidery of the state of Chu[J]. Theory Monthly,1993(4):42- 44,31.(in Chinese)
[25] 左鹏.楚国珠玉佩饰之研究[J].江汉考古,1998(2):55- 66.
ZUO Peng. Study on the jewelry and jade ornaments of the state of Chu[J]. Jianghan Archaeology,1998(2):55- 66.(in Chinese)
[26] 邵学海.“支那”族与“赛利斯”——楚国的丝绸及先秦的东西交流[M]// 刘玉堂.楚学论丛:第1辑.武汉:湖北人民出版社,2011.
[27] 袁建平.楚绣艺术浅论[M]//楚文化研究会.楚文化研究论集:第3集.上海:上海古籍出版社,2015.
[28] 夏鼐.中国文明的起源[M].北京:文物出版社,1985.
[29] 赵丰,徐铮.锦绣华服:古代丝绸染织术[M].北京:文物出版社,2008.
[30] 赵丰,樊昌生,钱小萍,等.成是贝锦:东周纺织织造技术研究[M].上海:上海古籍出版社,2012.
[31] 周启澄,赵丰,包铭新.锦绣华服:古代丝绸染织术[M].上海:东华大学出版社,2008.
[32] 陈松长.“衣”小考[M]//楚文化研究会.楚文化研究论集:第6集.上海:上海古籍出版社,2015.
[33] 王先福.九连墩1号楚墓人甲的复原与初步认识[M]//楚文化研究会.楚文化研究论集:第6集.上海:上海古籍出版社,2015.
[34] 陈文华,张硕.先秦楚地居民服饰用玉简论——以东周楚国服饰为中心[EB/OL].(2013-12-28)[2018-01-18].http://www.doc88.com/p-971379.
[35] 黄能馥,陈娟娟.中国丝绸科技艺术七千年:历代织绣珍品研究[M].北京:中国纺织出版社,2002.
[36] 缪良云.中国历代丝绸纹样[M].北京:纺织工业出版社,1988.
[37] 王予予.王予予与纺织考古[M].香港:艺纱堂,2001.
[38] 李超德.试论先秦染织纹样[J].丝绸,2004,41(8):38-39.
LI Chaode. Views on style of dyeing-weaving design of Pre-Qin Dynasty[J]. Journal of Silk, 2004,41(8):38-39.(in Chinese).
[39] 刘咏清.楚国刺绣艺术研究[D]. 苏州:苏州大学, 2012.
[40] 张庆.楚国纹样研究[D].苏州:苏州大学, 2015.
[41] 彭浩.楚人的纺织与服饰[M].武汉:湖北教育出版社,1996.
[42] 张玲.东周楚服结构风格研究[M].北京:中国传媒大学出版社,2016.
[43] 凌宇.楚地出土人俑研究——早期中国墓葬造像艺术的礼制考察[M].武汉:武汉大学出版社,2014.
[44] 徐蕊.汉代服饰的考古学研究[M].郑州:大象出版社,2016.
[45] 刘玉堂,张硕.长江流域服饰文化[M].武汉:湖北教育出版社,2005.
[46] 刘兴林,范金民.长江丝绸文化[M].武汉:湖北教育出版社,2004.
[47] CAMMAN S. Notes on the origin of Chinese K’o-ssǔ Tapestry[J]. Artibus Asiae,1948,11(2):90-110.
[48] 李超德. 缂丝传统手工艺传承与创新的几点体会——以书画缂丝团扇设计与制作为例[J]. 装饰, 2014(5):38- 43.
LI Chaode. A few ideas on transmission and innovation of Chinese traditional silk tapestry: exemplified by design and production of ink painting silk tapestry fans [J]. Art and Design, 2014(5):38- 43.(in Chinese)
[49] PERERSON L L.Patterned gauzes of the early Western Han Dynasty: technical analysis and reconstruction[J]. Ars Textrina, 1988(10):99-136.
[50]ZHONG H,HANN M A.Textile manufacture in China during the period of the Warring States(475-221B.C.)[J]. Journal of the Textile Institute,1989,80(3):403- 413.
[51] WU H. Art in a ritual context: rethinking Mawangdui[J]. Early China, 1992,17(3):111-144.
[52] SHENG H.The origin of Chinese tapestry weave: a new hypothesis based on recent studies of archaeological finds and Chu material culture in memory of Schuyler Van Rensselaer Cammann(1912-1991)[J]. Textile History,1995, 26(1):53-75.
[53] CHENG X, XIA Y, MA Y, et al. Three fabricated pigments(Han purple, indigo and emerald green)in ancient Chinese artifacts studied by Raman microscopy, energy-dispersive X-ray spectrometry and polarized light microscopy[J]. Journal of Raman Spectroscopy, 2010, 38(10):1274-1279.
[54] HARRIS J. 5 000 years of textiles[M]. London:British Museum Press, 2004.
[55] ZHAO F, WANG Y, LUO Q, et al. The earliest evidence of pattern looms: Han Dynasty tomb models from Chengdu, China[J]. Antiquity, 2017, 91(356):360-374.
[56] 刘安定,杨振宇,叶洪光.基于古汉字字源学的中国远古至先秦时期服装文化[J].服装学报,2018,3(4):351-356.
LIU Anding, YANG Zhengyu, YE Hongguang. Study of clothing culture in ancient China to Pre-Qin Dynasty from the perspective of etymology of ancient Chinese characters[J]. Journal of Clothing Research, 2018,3(4):351-356.(in Chinese)
(责任编辑:卢 杰)