[1]李坤元,梁惠娥*.明清“帉帨”研究现状及发展趋势[J].服装学报,2017,2(03):245-249.
 LI Kunyuan,LIANG Huie*.Current Situation of "Fenshui" in Ming and Qing Dynasties[J].Journal of Clothing Research,2017,2(03):245-249.
点击复制

明清“帉帨”研究现状及发展趋势()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第2卷
期数:
2017年03期
页码:
245-249
栏目:
服装服饰文化
出版日期:
2017-06-30

文章信息/Info

Title:
Current Situation of "Fenshui" in Ming and Qing Dynasties
作者:
李坤元1; 2;  梁惠娥*1; 2
1.江南大学 纺织服装学院,江苏 无锡 214122; 2. 江南大学 江苏省非物质文化遗产研究基地,江苏 无锡 214122
Author(s):
LI Kunyuan1; 2;  LIANG Hui’e*1; 2
1. School of Textile and Clothing,Jiangnan University,Wuxi 214122,China; 2.Non-Material Culture Heritage Base of Jiangsu Province,Jiangnan University,Wuxi 214122,China
分类号:
TS 941.12
文献标志码:
A
摘要:
采用文献调研的方法,对国内外明清时期“帉帨”研究现状进行梳理,归纳相关理论,提出当前学术界在明清“帉帨”研究的不足与缺失。“帉帨”的研究对完善中国服装史有一定理论意义,对服饰配件研究具有直接价值,对反映明清时期社会政治、经济、文化发展状况有一定的理论价值。
Abstract:
This paper mainly uses the methodology of document surveys by reviewing the research status of "Fenshui" in Ming and Qing Dynasties.In this work the relevant theories are summarized and the inadequacy and deficiency in recent surveys of "Fenshui" in Ming and Qing Dynasties are pointed out.This research is of theoretical significance for perfecting Chinese clothing history and of direct value for the research of clothing accessories.It reflects the development of politics,economics and culture in Ming and Qing Dynasties.

参考文献/References:

[1] 缪良云.中国衣经[M].上海:上海文化出版社,2000:213.
[2] 沈括.梦溪笔谈 [M].北京:中华书局,2012:3.
[3] 周汛,高春明.中国衣冠服饰大辞典[M].上海:上海辞书出版社,1996:440.
[4] 徐珂.清碑类钞:第13册[M].北京:中华书局,1986:6126- 6144.
[5] 佚名.天水冰山录[M].北京:中华书局,1985:85.
[6] 永瑢,纪昀,陆锡熊,等.四库全书:史部:第657册[M].台北:台湾商务印书馆,1986:415.
[7] 赵尔.清史稿[M].北京:中华书局,2015:385- 420.
[8] 周锡保.中国古代服饰史[M].北京:中国戏剧出版社,1984:429- 487.
[9] 常沙娜.中国织绣服饰全集——历代服饰卷(下):第4卷[M].天津:天津人民美术出版社,2004:287-334.
[10] 高春明.中国服饰名物考[M].上海:上海文化出版社,2001:634-727.
[11] 沈从文.中国古代服饰研究[M].上海:上海世纪出版社,2005:561.
[12] 扬之水.古诗文名物新证合编[M].天津:天津教育出版社,2012:72-83.
[13] 阮卫萍.清宫后妃首饰图典[M].北京:故宫出版社,2012:97-101.
[14] 韩雪岩.辽代官服“蹀躞带”带銙之形制渊源考[J].南京艺术学院学报(美术与设计),2010(3):50-52.
HAN Xueyan.Textual research on the origin of the form of "Diexie Belt" of the official costume in the Liao Dynasty[J].Journal of Nanjing Arts Institute(Fine Arts and Design),2010(3):50-52.(in Chinese)
[15] 王志炜,史洪刚.新疆草原石人“蹀躞带”及其配饰研究[J].贵州民族研究,2016,38(2):177-180.
WANG Zhiwei,SHI Honggang.Study on the "Diexie Belt" and its accessories of Xinjiang grasslang stone figures[J].Guizhou Ethnic Studies,2016,38(2):177-180.(in Chinese)
[16] 吴沫.辽代玉蹀躞带的特征分析及其文化探源[J].赤峰学院学报(汉文哲学社会科学版),2013(7):13-18.
WU Mo.Feature analysis and cultural orgin of jade Diexie Belt in the Liao Dynasty[J].Journal of Chifeng University(Philosophy and Social Science Chinese Edition),2013(7):13-18.(in Chinese)
[17] 陈夏生.腰带与腰饰[J].故宫文物月刊,1984,2(8):1-3.
CHEN Xiasheng.Belt and waist decorations[J].The National Palace Museum Monthly of Chinese Art,1984,2(8):1-3.(in Chinese)
[18] 包铭新.中国染织服装史文献导读[M].上海:东华大学出版社,2006:88-89,94-95.
[19] 刘家驹.明式衣冠汉式裳——清代服饰的多元化[J].故宫文物月刊,1987,5(3):47-52.
LIU Jiaju.The diversity of clothing in Ming and Qing Dynasties[J].The National Palace Museum Monthly of Chinese Art,1987,5(3):47-52.(in Chinese)
[20] 李孝悌.中国的城市生活[M].北京:北京大学出版社,2013:13-20.
[21] 白建忠.《红楼梦》中红绿“汗巾”试探[J].中国古代小说戏剧研究,2012:88-94.
BAI Jianzhong.Exploration on red and green handkerchief in A Dream of Red Mansions[J].Studies on the Ancient Chinese Novel and Drama,2012:88-94.(in Chinese)
[22] 姚桂珍,王瑶.《金瓶梅词话》中的汗巾儿考证[J].浙江纺织服装职业技术学院学报,2014,13(1):63- 69.
YAO Guizhen,WANG Yao.A textual research on handkerchief in the Golden Lotus[J].Journal of Zhejiang Fashion Institute of Technology,2014,13(1):63- 69.(in Chinese)
[23] 陈家生.小小“巾帕”见精神——《红楼梦》细节技巧谈[J].红楼梦学刊,1989,11(4):95-101.
CHEN Jiasheng.The small "towel handkerchief" see spirit—a discussion on the details of A Dream of Red Mansions[J].Studies on "A Dream of Red Mansions",1989,11(4):95-101.(in Chinese)
[24] 魏劲.红楼梦佩饰文化在现代佩饰设计中的传承与应用[D].上海:东华大学,2011:24-25.
[25] 泥一鸣.明代女子佩饰“禁步”研究[D].北京:北京服装学院,2013:19-20.
(责任编辑:沈天琦,邢宝妹)

更新日期/Last Update: 2017-06-30