[1]陆 洁.吴文化画绣艺术在现代定制女装设计中的实践运用[J].服装学报,2017,2(02):165-170.
　LU Jie.Practical Application of the Wu Culture Painting Embroidery Art in the Modern Custom Women’s Design[J].Journal of Clothing Research,2017,2(02):165-170.
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吴文化画绣艺术在现代定制女装设计中的实践运用()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第2卷
期数:
2017年02期
页码:
165-170
栏目:
服装设计艺术
出版日期:
2017-04-28

文章信息/Info

Title:
Practical Application of the Wu Culture Painting Embroidery Art in the Modern Custom Women’s Design
作者:
陆 洁
苏州经贸职业技术学院 纺织服装与艺术传媒学院,江苏 苏州 215009
Author(s):
LU Jie
School of Textile and Clothing and Arts and Media,Suzhou Institute of Trade and Commerce,Suzhou 215009,China
分类号:
J 523.5
文献标志码:
A
摘要:
吴文化画绣艺术与现代定制女装设计的结合运用,体现出民族审美习俗的多样性,具有寻求自身创意突破、增添定制女装艺术内涵、凸显设计的区域文化特色以应对全球化进程的积极意义。从题材选取、构图布局、色彩搭配及针法运用4个方面,阐述了画绣艺术与设计结合产生的不同于纯画或纯绣的视觉新效果,突出了定制女装的地域特点,强调画绣艺术从人体动态、身材比例、服装底料、款式结构等方面适应定制女装设计的要求,说明吴文化画绣通过艺术家们的创意实践,表现出顺应时代变化的发展张力; 从设计担负的社会责任来看,挖掘画绣艺术的地域特色和文化内涵,是为全球化趋势下更好地建立设计的文化立场做准备。
Abstract:
The combination of Wu culture painting embroidery art and the modern custom women’s design reflects the diversity of national aesthetic custom. And it has positive meaning to seeking their own creative breakthrough, adding custom dress to the artistic connotation, highlighting the regional cultural characteristics of design to deal with the process of globalization. This paper expounds the new visual effects produced by the combination of design and painting embroidery art which are different from those of the pure painting or embroidery, from four aspects: the selection ofsubject matter, the composition layout, the color collocation and the use of stitch. In addition, the study highlights the regional style characteristics of custom women’s clothing and emphasizes that the painting embroidery art should adapt for the requirements of custom women’s clothing design in terms of human body dynamics, stature proportions, clothing base material and styles structure. The paper also illustrates that Wu culture painting embroidery showed the development tension of adapting to the times changes through the artist’s creative practice. Furthermore, excavating regional characteristics and cultural connotation of the painting embroidery artis preparing to build a better design culture, from the point view of the social responsibility undertaken by design.

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(责任编辑:卢 杰,邢宝妹)

更新日期/Last Update: 2017-05-04