[1]匡 迁.壮族服饰前襟叠压关系的演变考略[J].服装学报,2025,10(06):556-561.
 KUANG Qian.Study on the Evolution of Overlapping Relationship of Front Placket of Zhuang Costume[J].Journal of Clothing Research,2025,10(06):556-561.
点击复制

壮族服饰前襟叠压关系的演变考略()

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第10卷
期数:
2025年06期
页码:
556-561
栏目:
民族服装
出版日期:
2025-12-30

文章信息/Info

Title:
Study on the Evolution of Overlapping Relationship of Front Placket of Zhuang Costume
作者:
匡 迁
广西艺术学院 设计学院,广西 南宁 530001
Author(s):
KUANG Qian
College of Design, Guangxi Arts University,Nanning 530001,China
分类号:
TS 941.12; TS 941.742.818
文献标志码:
A
摘要:
壮族服饰前襟作为服饰整体形制的重要组成部分,蕴含着丰富的文化信息。对壮族服饰文献进行梳理,结合田野调查对比论证,解析壮族服饰前襟叠压关系的演变因素。研究表明,壮族服饰前襟叠压关系经历了从贯首、左衽向对襟、右衽的演变,和谐的民族关系以及社会经济文化发展是推动前襟叠压关系演变的重要因素。研究结果为探索民族交往交流交融提供案例参考,并对深化中华民族共同体意识的文化基础研究具有积极意义。
Abstract:
The front placket of Zhuang costume, as an important component of the overall clothing form, contains rich cultural information. This study sorted out documents on Zhuang costume, conducted comparative verification through field surveys, and analyzed the factors behind the evolution of the overlapping relationship of the front placket in Zhuang costume. The research shows that the overlapping relationship of the front placket in Zhuang costume has evolved from the head-opening and left lapel styles to center-front opening and right lapel styles. The harmonious ethnic relations and the development of socio-economic culture are important factors driving the evolution of the overlapping relationship of the front placket. These findings not only provide a empirical case for exploring ethnic interactions, exchanges and integration, but also contribute to enriching the cultural foundation research for fostering a sense of community for the Chinese nation.

参考文献/References:

[1] 许慎. 说文解字[M]. 徐铉杨, 校定. 北京: 中华书局, 1963.
[2] 四书五经: 上[M]. 宋元人, 注. 影印本. 北京: 中国书店, 1985.
[3] 樊苗苗, 刘瑞璞. 壮服“三制”实物考[J]. 服装学报, 2021, 6(6): 515-521.
FAN Miaomiao, LIU Ruipu. Research on "three kinds of form" based on substances of Zhuang costumes[J]. Journal of Clothing Research, 2021, 6(6): 515-521.(in Chinese)
[4] 张成义, 刘介白. 壮族服饰的文化特征及传承发展[J]. 艺术百家, 2022, 38(1): 170-177.
ZHANG Chengyi, LIU Jiebai. The cultural characteristics, inheritance and development of Zhuang costumes[J]. Hundred Schools in Arts, 2022, 38(1): 170-177.(in Chinese)
[5] 汪靖, 吴亮. 基于AHP层次分析法的壮族刺绣元素在服饰文创设计中的应用研究[J]. 设计, 2025(13): 11-15.
WANG Jing, WU Liang. Research on the application of Zhuang embroidery elements in clothing cultural and creative design based on AHP[J]. Design, 2025(13): 11-15.(in Chinese)
[6] 缪文远, 缪伟, 罗永莲. 战国策[M]. 北京: 中华书局, 2012.
[7] 司马迁. 史记: 卷43[M]. 北京: 中华书局, 1959.
[8] 范晔.后汉书[M]. 北京:中华书局, 2007.
[9] 班固. 汉书: 卷1下[M]. 北京: 中华书局, 2016.
[10] 方韬. 山海经[M]. 北京: 中华书局, 2011.
[11] 杨孚. 异物志[M]. 影印本. 广州: 广东科技出版社, 2009.
[12] 陈寿. 三国志: 卷53[M]. 北京: 中华书局, 1959.
[13] 房玄龄. 晋书: 卷97[M]. 北京: 中华书局, 1974.
[14] 刘昫. 旧唐书[M]. 北京: 中华书局, 1975.
[15] 欧阳修, 宋祁. 新唐书: 卷222[M]. 北京: 中华书局, 1975.
[16] 范成大. 桂海虞衡志[M]. 严沛,校注. 南宁: 广西人民出版社, 1986.
[17] 乐史. 太平寰宇记[M]. 王文楚, 点校.北京: 中华书局, 2007.
[18] 周去非. 岭外代答[M]. 屠友祥, 校注. 上海: 上海远东出版社, 1996.
[19] 佚名.宋朝女子服饰鉴赏[EB/OL].(2022-10-26)[2024-01-01].http://www.360doc.com/content/22/1026/11/16123909_1053339194.shtml.
[20] 陈文修. 景泰云南图经志书校注[M]. 刘景毛, 校注. 昆明:云南人民出版社, 2002.
[21] 刘文征. 天启:滇志[M]. 古永继, 校点. 昆明: 云南教育出版社, 1991.
[22] 顾炎武. 天下郡国利病书: 卷103[M]. 黄珅, 校点. 上海: 上海古籍出版社, 2022.
[23] 佚名.汉服裁剪图[EB/OL].(2017-09-05)[2024-01-01].http://www.360doc.com/content/17/0905/13/44870442_684732252.shtml.
[24] 傅恒, 董诰. 皇清职贡图[M]. 沈阳: 辽沈书社出版, 1991.
[25] 何清新, 史能兴. 壮族花凤舞的文化内涵及美育价值[J]. 艺术探索, 2023, 37(3): 102-108.
HE Qingxin, SHI Nengxing. Cultural connotations and aesthetic values of the Zhuang people’s phoenix dance[J]. Arts Exploration, 2023, 37(3): 102-108.(in Chinese)
[26] 罗彩娟, 黄爱坤. 聚与合: 近代广西各民族交往交流交融的历程与启示[J]. 广西民族研究, 2023(4): 19-29.
LUO Caijuan, HUANG Aikun. Gathering and integration: the course and enlightenment of the contact, communication and integration among ethnic groups in modern Guangxi[J]. Guangxi Ethnic Studies, 2023(4): 19-29.(in Chinese)
[27] 米桂萱, 胡毅杰, 朱文霜. 广西毛南族织锦纹样在女式手提包中的创新设计应用[J]. 皮革科学与工程, 2025, 35(5): 112-120.
MI Guixuan, HU Yijie, ZHU Wenshuang. Innovative design application of Guangxi Maonan brocade pattern in women’s handbags[J]. Leather Science and Engineering, 2025, 35(5): 112-120.(in Chinese)
[28] 刘安. 淮南子[M]. 高诱, 注. 影印本. 上海: 上海古籍出版社, 1989.
[29] 匡迁. 壮族传统服饰的演变解析——以广西龙胜壮族女子服饰为例[J]. 丝绸, 2024, 61(7): 141-148.
KUANG Qian. Analysis on the evolution of Zhuang traditional costumes: a study of Longsheng Zhuang women’s clothing in Guangxi[J]. Journal of Silk, 2024, 61(7): 141-148.(in Chinese)
(责任编辑:沈天琦)

更新日期/Last Update: 2025-12-30