[1]赵红艳,叶洪光*,洪 钰.贵州苗族挑花背扇图案地域特征及其在服饰品中的创新应用[J].服装学报,2019,4(04):331-336.
 ZHAO Hongyan,YE Hongguang*,HONG Yu.Regional Characteristics and Innovative Application of Miao Cross-Stitch Beishan Pattern in Guizhou Provice[J].Journal of Clothing Research,2019,4(04):331-336.
点击复制

贵州苗族挑花背扇图案地域特征及其在服饰品中的创新应用()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第4卷
期数:
2019年04期
页码:
331-336
栏目:
服装设计艺术
出版日期:
2019-08-30

文章信息/Info

Title:
Regional Characteristics and Innovative Application of Miao Cross-Stitch Beishan Pattern in Guizhou Provice
作者:
赵红艳;  叶洪光*;  洪 钰
武汉纺织大学 服装学院,湖北 武汉 430074
Author(s):
ZHAO Hongyan;  YE Hongguang*;  HONG Yu
School of Fashion,Wuhan Textile University,Wuhan 430074,China
分类号:
TS 941.2
文献标志码:
A
摘要:
贵州苗族挑花背扇图案种类丰富,具有极高的艺术审美价值。采用文献研究法、实物观察法和对比研究法,分析总结贵州不同地区苗族挑花背扇图案的地域特征,并进行创新设计实践。研究认为:在艺术特征上,贵州苗族挑花背扇图案具有鲜明的地域特色,即不同地域在题材内容、色彩搭配、图案构成与排列方式上各有不同; 在挑花图案的创新设计上,可借助数字化设计手段进行纹样元素的提取、重组,并改变苗族挑花传统的背扇形式,将其应用到连衣裙、丝巾和手包等服饰品中,为苗族传统挑花艺术在现代服饰品设计中的应用提供借鉴。
Abstract:
There are a variety of patterns and extremely high artistic esthetic value for Miao nationality cross-stitch Beishan in Guizhou. By means of literature research object observation and comparative research,the regional features of the patterns of back-splicing flower patterns of the Miao in Guizhou different ares were analyzed and summarized,and innovative design practice was carried out.The research suggested that,the pattern of the Miao cross-stitch Beishan in Guizhou showed distinct regional features. Different regions are diverse from each other in subject matter,color collocation,pattern composition and arrangement. Secondly,on the innovative design of flower pattern,the pattern of the Miao cross-stitch Beishan in Guizhou could be extracted and reorganized by means of digital design,and changed the traditional from of the Miao cross-stitch Beishan to apply to the comsumer good of dresses,silk scarfs and handbags. This study could provide a reference for the way of Miao nationality’s traditional cross-stitch art into the application of modern costume design.

参考文献/References:

[1] 周启澄,赵丰,包铭新.中国纺织通史[M].上海:东华大学出版社,2017:833-839.
[2] 马正荣,马俐. 贵州少数民族背扇[M]. 贵阳:贵州人民出版社,2002:1-77.
[3] 任晓波,李纶. 初探贵州苗族背扇图案[J]. 前沿,2013(16):169-170.
REN Xiaobo,LI Lun.Preliminary studies on pattern of Miao nationality cross-stitch Beishan in Guizhou province[J]. Forward Position,2013(16):169-170.(in Chinese)
[4] 程嘉. “背扇”与“狗头帽”——贵州苗族儿童配饰研究[J]. 美与时代,2012(4):56-57.
CHENG Jia. Beishan and Goutou hat—study on children’s accessories of Miao nationality in Guizhou[J]. Beauty and Times,2012(4):56-57.(in Chinese)
[5] 施艺. 贵州苗族文化符号的审美意识及其社会功用——以银饰·服饰·背扇为例分析[J]. 才智,2014(8):306-307.
SHI Yi. Aesthetic consciousness and social function of cultural symbol of Guizhou Miao nationality—take silver ornament,clothing and Beishan for example[J]. Ability and Wisdom,2014(8):306-307.(in Chinese)
[6] 于利静. 浅析苗族背扇的色彩设计[J]. 美与时代,2015(6):73-74.
YU Lijing.A brief analysis of the color design of Miao Beishan[J]. Beauty and Times,2015(6):73-74.(in Chinese)
[7] 赵江浩,赵明. 宗教信仰对西南少数民族背扇纹样的影响[J]. 设计,2017(11):31-33.
ZHAO Jianghao,ZHAO Ming. Religious belief influence to baby carrier pattern of minority nationality in southwest China[J].Design,2017(11):31-33.(in Chinese)
[8] 王欣. 贵州少数民族背扇艺术的价值挖掘与传播——以艺术动画短片《背扇》为例[J]. 贵州大学学报(艺术版),2012,26(2):100-104.
WANG Xin.Excavation and dissemination of the artistic value of Beishan—a case study of Beishan,an artistic animation[J]. Journal of Guizhou University(Art Edition),2012,26(2):100-104.(in Chinese)
[9] 赵红艳,叶洪光. 贵州苗族挑花背扇纹样在服装设计中的应用[J].武汉纺织大学学报,2019,32(3):27-32.
ZHAO Hongyan,YE Hongguang. Study on application of patterns of cross-stitch Beishan of Guizhou Miao nationa-lity in fashion design[J]. Journal of Wuhan Textile University,2019,32(3):27-32.(in Chinese)
[10] 张圣婷,李克瑜,刘卫. 黔东南苗族挑花图案研究及设计应用[J]. 设计,2017(11):75-77.
ZHANG Shengting,LI Keyu,LIU Wei. Lace pattern research and design applications of southeast Guizhou Miao[J]. Design,2017(11):75-77.(in Chinese)
[11] 耿佳盈,王坤茜. 苗族的蝴蝶纹研究及其美学应用[J]. 名作欣赏,2016(23):103-104.
GENG Jiaying,WANG Kunqian.Study on butterfly pattern of Miao nationality and its aesthetic application[J].Masterpieces Review,2016(23):103-104.(in Chinese)
[12] 洪兴宇. 平面构成[M].北京:中国青年出版社,2011:63-71.
(责任编辑:张 雪,邢宝妹)

相似文献/References:

[1]张晓伟,梁惠娥,邬红芳.城市化进程中传统挑花技艺的发展原则与方法[J].服装学报,2018,3(03):225.
 ZHANG Xiaowei,LIANG Huie,WU Hongfang.Principles and Methods of Traditional Cross-Stitch Craft in the Process of Urbanization[J].Journal of Clothing Research,2018,3(04):225.

更新日期/Last Update: 2019-08-31