[1]张红宇.纺织品创意产业发展[J].服装学报,2017,2(05):450-454.
 ZHANG Hongyu.Development of China’s Textile Creative Industry[J].Journal of Clothing Research,2017,2(05):450-454.
点击复制

纺织品创意产业发展()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第2卷
期数:
2017年05期
页码:
450-454
栏目:
服装品牌营销
出版日期:
2017-10-31

文章信息/Info

Title:
Development of China’s Textile Creative Industry
作者:
张红宇
大连工业大学 艺术与信息工程学院,辽宁 大连 116034
Author(s):
ZHANG Hongyu
College of Art and Information Engineering, Dalian Polytechnic University, Dalian 116034,China
分类号:
TS 101.9
文献标志码:
A
摘要:
基于中国纺织业面临转型升级,人们的消费方式发生着巨大变化,高科技与现代服装创意设计、家用纺织品设计、面料设计已融为一体,纺织产品在技术与材料领域向高端化发展的社会化大背景,提出纺织品创意产业发展亟需传统文化的融入,运用材料创新与设计创新手段,将文化艺术与技术、传统民族文化与现代文化相结合,发展高附加值的纺织产品,拓展纺织产业国际化多维发展空间,创立更多能够与“例外”品牌媲美,具有国际竞争力,兼具“创意”与“文化”的纺织业创意品牌,优化整体产业形态。
Abstract:
People’s propensity for consumption is undergoing tremendous change. High-tech and design for modern creative clothing upholstery textile and fabric have been integrated. Textile products are developing to be high-end in the fields of technology and materials. China’s textile industry is going to transform and upgrade, and the international textile industry is facing the arrival of a new industrial revolution. The development of textile creative industry need the integrationof traditional culture and modern scientific research. With the combine of materials and design innovation, the research concepts and forms of traditional culture could be integrated todevelop high value-added and highly functional textile products. The international multidimensional development space of textile industry could be expanded. More textile creative brands, which are able to compare with the "Exception" brands and have international competitiveness are creatived. The overall industrial form could be optimized.

参考文献/References:

[1] 刘薇.闽台传统文化融入创意产品品牌的意义探究[J].红河学院学报,2015,13(4):51-52,59.
LIU Wei. Brands of creative products and the traditional culture of Fujian and Taiwan[J].Journal of Honghe University,2015,13(4):51-52,59.(in Chinese)
[2] 张元美.中西丝绸服饰的设计及其文化差异——以中国NE·TIGER和意大利D&G为例[J].丝绸,2014,51(1):55-59.
ZHANG Yuanmei. Design and cultural differences of Chinese and Western silk costumes—take NE·TIGER in China and D&G in Italy for example[J].Journal of Silk,2014,51(1):55-59.(in Chinese)
[3] 钱小轮. 关于传统文化元素在当代展示设计中传承与运用的思考[J]. 艺术与设计(理论),2012,2(6):80-82.
QIAN Xiaolun. Inheritance and application of traditional cultural elements in contemporary exhibition design[J].Art and Design,2012,2(6):80-82.(in Chinese)
[4] 李莉莉,成艳娜.浅谈服装品牌营销的现状与发展趋势[J].纺织导报,2011(1):92-93.
LI Lili, CHENG Yanna. Status quo and development trend of fashion brand marketing[J].Textile Leader,2011(1):92-93.(in Chinese)
[5] 韩希恩,丁辛. 对本土纺织服装企业发展的一些思考[J]. 上海纺织科技,2009,37(5):1-3,10.
HAN Xien, DING Xin. Some thinking on the development of national textile apparel factories[J].Shanghai Textile Science and Technology,2009,37(5):1-3,10.(in Chinese)
[6] 郭先登. 关于纺织服装创意产业发展的思考[J]. 山东纺织经济,2009(1):5-8.
GUO Xiandeng. Thoughts on the development of textile and garment creative industries[J].Shandong Textile Economy,2009(1):5-8.(in Chinese)
[7] 周赳,吴文正. 纺织品创新设计中科学与艺术关系的研究[J]. 丝绸,2008,45(1):10-13.
ZHOU Jiu, WU Wenzheng.Study on relationship between science and art in textile innovative design[J].Journal of Silk,2008,45(1):10-13.(in Chinese)
(责任编辑:卢 杰,邢宝妹)

更新日期/Last Update: 2017-10-30