[1]杨秋华.近代粤绣设计范式转换的阐释与解读[J].服装学报,2024,9(06):556-561.
　YANG Qiuhua.Elucidation and Interpretation of the Paradigm Shift in Modern Cantonese Embroidery Design[J].Journal of Clothing Research,2024,9(06):556-561.
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近代粤绣设计范式转换的阐释与解读()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第9卷
期数:
2024年06期
页码:
556-561
栏目:
服装设计
出版日期:
2025-01-01

文章信息/Info

Title:
Elucidation and Interpretation of the Paradigm Shift in Modern Cantonese Embroidery Design
作者:
杨秋华
深圳职业技术大学 创新创意设计学院,广东 深圳 518055
Author(s):
YANG Qiuhua
School of Innovation and Creation Design, Shenzhen Polytechnic University, Shenzhen 518055,China
分类号:
TS 935.15; TS 941.2
文献标志码:
A
摘要:
运用科学哲学、图像学和文献学等理论,深入探讨近代粤绣设计范式转换的历史情境与驱动力,以及其与设计观念、设计途径、商贸模式转换之间的关系和过程。研究表明,近代粤绣设计范式的转换是多种因素共同作用的结果,其不仅受到社会变革、审美观念、生产与商贸模式变化等因素的影响,同时还受到新美术与实用工艺等理念的浸染,进而形成了粤绣采中原之精粹、纳四海之新风的独特风格。
Abstract:
This paper adopted theories such as the philosophy of science, iconology and philology to deeply explore the historical situation and driving forces of the transformation of the design paradigm of Cantonese embroidery in modern times, as well as the relationships and processes between it and the transformation of design concepts, design approaches and business and trade models. The study shows that the transformation of the design paradigm of Cantonese embroidery in modern times is the outcome of the joint effect of multiple factors. It is not only influenced by factors social changes, aesthetic concepts, changes in production and business and trade models, but also influenced by the concept of new art and practical craftsmanship, etc., and thus has formed the unique style of Cantonese embroidery that absorbs the essence of the Central Plains and incorporates new trends from all over the world.

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(责任编辑:张 雪)

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更新日期/Last Update: 2024-12-30