参考文献/References:
[1] 北京大学历史系考古教研室商周组.商周考古[M].北京:文物出版社,1979:175-176.
[2] 段军波,古晓娟.澄城刺绣:三千年非遗文化的传承[J].视界观,2017(1):54-57.
DUAN Junbo,GU Xiaojuan.Dengcheng embroidery: inheritance of intangible cultural heritage for 3 000 years [J].Obserration Scope View,2017(1):54-57.(in Chinese)
[3] 左汉中.中国民间美术造型[M].长沙:湖南美术出版社, 1998:9-272.
[4] 孙英丽.浅析陕西民间刺绣图案的文化内蕴[J].安徽文学, 2009(11):304.
SUN Yingli.A brief analysis of the cultural connotation of Shaanxi folk embroidery patterns[J].Anhui Literature,2009(11):304.(in Chinese)
[5] 钟福民.中国吉祥图案的象征研究[M].北京:中国社会科学出版社, 2009:30-31.
[6] 钟茂兰,范朴.中国民间美术[M].北京:中国纺织出版社, 2003:160-161.
[7] 王宁宇,杨庚绪.母亲的花儿——陕西乡俗刺绣的历史追寻[M].西安:三奉出版社, 2002:61-62.
[8] 靳之林.中国民间美术[M].北京:五洲传播出版社,2014:21-22.
[9] 谢艳,周汉利,胡宁.浅析玉石挂件的现状和发展[J].艺术科技,2014,27(5):412.
XIE Yan, ZHOU Hanli, HU Ning.A brief analysis of the present stuation and development of jade pendants [J].Art Science and Technology,2014,27(5):412.(in Chinese)
[10]汪芳芳.浅析互联网时代下陕西民间刺绣行业的发展[J].新西部(理论版),2016(11):25,24.
WANG Fangfang.A brief analysis of the development of Shaanxi folk embroidery industry in the internet era [J].New Western(Theory),2016(11):25,24.(in Chinese)
[11]拓雅丽,韩艳慧.“互联网+”背景下环县道情皮影艺术产业化发展[J].新西部(理论版),2016(11):23-24.
TUO Yali,HAN Yanhui.Industrialization development of Daoqing shadow puppetry art in Huan Country under the background of "Internet+"[J].New Western(Theory),2016(11):23-24.(in Chinese)
(责任编辑:张 雪)