[1]刘亚平,李 凌*.中国传统服饰之盘扣的造型艺术[J].服装学报,2017,2(04):338-342.
 LIU Yaping,LI Ling*.Plastic Arts of the Chinese Traditional Costume-Frog[J].Journal of Clothing Research,2017,2(04):338-342.
点击复制

中国传统服饰之盘扣的造型艺术()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第2卷
期数:
2017年04期
页码:
338-342
栏目:
服装设计艺术
出版日期:
2017-08-30

文章信息/Info

Title:
Plastic Arts of the Chinese Traditional Costume-Frog
作者:
刘亚平;  李 凌*
天津工业大学 艺术与服装学院,天津 300387
Author(s):
LIU Yaping;  LI Ling*
Institute of Art and Fashion,Tianjin Polytechnic University,Tianjin 300387,China
分类号:
TS 941.3
文献标志码:
A
摘要:
盘扣造型优美,兼具功能性和装饰性,在中国服饰史中占有至关重要的地位。当今社会,随着不同形式艺术作品的百花齐放,各国文化相互交融,中式服装在国际市场上得到认可,也使盘扣成为必要的时尚文化元素。从盘扣的功能性与装饰性角度出发,通过在服装设计中的应用实例,分析其在中式服饰中的演变与艺术意义,以及在服装领域所蕴含的时尚潜能和未来发展,为中国传统元素的发扬提供理论依据。
Abstract:
Chinese frog had beautiful shape, function and decoration. It had a very important role in the history of Chinese costume. In modern society, Chinese-style clothing has gotten the reorganization of the international market with the advent of culture and art flourishing, and digestion of national cultures. This also make Chinese frog to be necessary fashion element. The paper analyzed the function and decoration of the Chinese frog, discussed the evolution and artistic significance of frog in Chinese-style clothing. In addition, the fashion potency and developing trend of the frog in fashion area were also explored. The meaning of frog was also discussed through the way of design analysis and taking examples. The aim of this study was to provide relative theories for fashion designers to carry forward the Chinese traditional elements.

参考文献/References:

[1] 张云婕.韵味盘扣[J].艺海,2011(11): 173.
ZHANG Yunjie. Charm frog[J]. Art Ocean,2011(11):173.(in Chinese)
[2] 陈国安.浅谈衡阳县何家皂北宋墓纺织品[J].文物,1984(12):77-78,101-102.
CHEN Guo’an.Elementary introduction to textiles in northern Song Dynasty tomb of Hengyang County Hejiazao[J].Cultural Relics,1984(12):77-81,101-102.(in Chinese)
[3] 朱玲敏.中国传统盘扣的造型与应用研究[D].北京:北京服装学院,2016.
[4] 汤新星.旗袍审美文化内涵的解读[D].武汉:武汉大学,2005.
[5] 未央艺阁.心如缠绕千千结——中国盘扣之美[EB/OL].(2014-10-29)[2017-02-20].http://blog.sina.com.cn/s/blog_133188ff70102v46p.html.
[6] 李丹.盘扣文化[J].国际纺织导报,2015(10):71-74.
LI Dan. Frog culture[J]. Melliand China,2015(10):71-74.(in Chinese)
[7] 李家麟.百年盘扣技艺的传承痴情[EB/OL].(2010-09-14)[2017-02-20].http://blog.sina.com.cn/s/blog_6b8439a70100lkx0.html.
[8] 刘凤霞.中国盘扣技艺大全[M].北京:中国建材工业出版社,2003.
[9] 祝贺平安.盘扣[EB/OL].(2009-05-18)[2017-02-20].http://blog.sina.com.cn/s/blog_4ce2ee4d0100cq7w.html.
[10] 周洁.传统盘扣风格样式及其在职业女装中的应用研究[D].长沙:湖南师范大学, 2013.
[11] 飞舞的蒲公英.盘扣——衣襟上的中国传统符号[EB/OL].(2015-01-23)[2017-02-20]. http://blog.sina.com.cn/s/blog_9fd79b9f0102vgz0.html.
[12] 葛茹雪,牛晓凡.论盘扣元素在现代服装设计中的应用[J].现代装饰(理论),2015(5):92-93.
GE Ruxue,Niu Xiaofan.Application of frog elements in modern clothing design[J].Modern Decoration(Theory), 2015(5):92-93.(in Chinese)
[13] 范树林.试论中国传统服饰的设计艺术[D].保定:河北大学,2004.
[14] 粽子.杜鹃压轴NE·TIGER 专访设计师张志峰[EB/OL].(2014-10-26)[2017-02-20].http://dress.pclady.com.cn/122/1220555.html.
[15] VOGUE时尚网. Louis Vuitton2011春夏时装秀[EB/OL].(2010-10-06)[2017-02-20].http://shows.vogue.com.cn / Louis-Vuitton / 2011-ss-RTW/#photo=276643.
(责任编辑:沈天琦,邢宝妹)

更新日期/Last Update: 2017-08-30