参考文献/References:
[1] 孙睿.未来主义服装风格分析及设计研究[D].南京:南京艺术学院,2014.
[2] 孔祥梅.论科幻电影对服装市场的影响[J].艺术百家,2011,27(7):278-279,263.
KONG Xiangmei.The influence of science fiction film upon costume market[J].Hundred Schools in Arts,2011,27(7):278-279,263.(in Chinese)
[3] 郭琳.发明未来——科幻电影中的服装设计简析[J].艺术与设计(理论),2007(12):192-194.
GUO Lin.Invent the future—analysis of the costume design in SF movie[J].Art and Design(Theory),2007(12):192-194.(in Chinese)
[4] 吴琼.解析未来主义服装设计特征[J].大舞台,2013(6):110-111.
WU Qiong.Analysis of futuristic costume design features[J].Big Stage,2013(6):110-111.(in Chinese)
[5] 陈巍娣.浅谈科技服装[J].广东工业大学学报(社会科学版),2010,10(3):78-80,88.
CHEN Weidi.On techno-fashion[J].Journal of Guangdong University of Technology(Social Sciences Edition),2010,10(3):78-80,88.(in Chinese)
[6] 刘姮.科幻电影中服装戏剧性风格引领娱乐文化[J].山海经,2016(12):41- 42.
LIU Heng.Dramatic style costumes in science fiction movies lead the entertainment culture[J].Classic of Mountains and Seas,2016(12):41- 42(in Chinese)
[7] Wakana Kawahito.侯赛因·卡拉扬[EB/OL].(2010-04-30)[2017-03-01].http://www.shift.jp.org/cn/archives/2010/04/hussein_chalayan.html.
[8] 吴琼.审视另类服饰的特征[J].艺术与设计(理论),2012(12):120-122.
WU Qiong.Survcying the characteristic of alternative apparel[J].Art and Design(Theory),2012(12):120-122.(in Chinese)
[9] 佚名.科幻主义MIX 60年代复古风[EB/OL].(2010-11-24)[2017-03-01].http://haibao.com/article/168904_2.htm.
[10] Xiao.穆勒(Mugler)2017春夏巴黎时装周女装秀场[EB/OL].(2016-10-18)[2017-03-01].http://fashion.nvwu.com/201610/95174.shtml.
[11] 黄天蓝.科技服装——未来加极简的衍生[J].美与时代,2008(1):82-86.
HUANG Tianlan.Science and technology clothing—derivatives of the future and minimalism[J].Beauty and Times,2008(1):82-86.(in Chinese)
[12] 梁曾华.艺术与科技——现代服饰设计之根基[J].时代文学,2009(3):201-202.
LIANG Zenghua.Art and technology—the foundation of modern fashion design[J].Times Literature,2009(3):201-202.(in Chinese)
[13] 佚名.酷炫!英国设计师研发出科幻变色系列服饰[EB/OL].(2015-10-28)[2017-03-10].http://tech.huanqiu.com/news/2015-10/7858581.html.
(责任编辑:沈天琦,邢宝妹)