[1]梁曼容,李昀涵.浅析明代皇室礼服的因革[J].服装学报,2023,8(03):235-241.
　LIANG Manrong,LI Yunhan.Analysis on the Transformation of Royal Dress in Ming Dynasty[J].Journal of Clothing Research,2023,8(03):235-241.
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浅析明代皇室礼服的因革()
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《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第8卷
期数:
2023年03期
页码:
235-241
栏目:
服饰文化
出版日期:
2023-06-30

文章信息/Info

Title:
Analysis on the Transformation of Royal Dress in Ming Dynasty
作者:
梁曼容;  李昀涵
延安大学 历史文化学院,陕西 延安 716000
Author(s):
LIANG Manrong;  LI Yunhan
School of History and Culture,Yan’an University,Yan’an 716000,China
分类号:
K 892.23; TS 941.12
文献标志码:
A
摘要:
以明代皇室成员的礼服为例,从服饰的调整内容、礼制内涵,以及两者之间的联系出发,通过分析洪武、永乐、嘉靖3个时期的礼服因革,总结出明代礼服的特点是复唐宋之风、明等级尊卑、集家国一体、齐夫妇对应。认为服饰制度是明朝政府对皇室成员进行区分、管理与控制的工具之一。
Abstract:
This article took Ming Dynasty royal family members’ dresses as an example. It analyzed the transformation of royal dress in Hongwu, Yongle, Jiajing periods from the contents and ritual connotation of the dress adjustment, as well as the connection between them. Then it summarized the characteristics of Ming Dynasty dress: restoring the style of Tang and Song Dynasties, clarifying the rank and hierarchy, integrating the family and the country, matching the couple. It was considered that the costume system was one of the tools used by Ming Dynasty government to distinguish, manage, and control royal family members.

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更新日期/Last Update: 2023-06-30