[1]王雪筠.土家族布包头文化溯源[J].服装学报,2021,6(02):148-151.
 WANG Xuejun.Cultural Origin of Tujia’s Cloth Wrapped Around Head[J].Journal of Clothing Research,2021,6(02):148-151.
点击复制

土家族布包头文化溯源()
分享到:

《服装学报》[ISSN:2096-1928/CN:32-1864/TS]

卷:
第6卷
期数:
2021年02期
页码:
148-151
栏目:
服装历史与文化
出版日期:
2021-04-30

文章信息/Info

Title:
Cultural Origin of Tujia’s Cloth Wrapped Around Head
作者:
王雪筠
重庆师范大学 美术学院,重庆 400047
Author(s):
WANG Xuejun
College of Fine Arts,Chongqing Normal University,Chongqing 400047,China
分类号:
TS 941.12
文献标志码:
A
摘要:
土家族有布包头的服饰习俗,可以反映其民族文化及特性。通过乡土调查与文献研究,阐述土家族布包头的实用功能和标识功能,并对土家族布包头文化的历史发展和式样变化进行论述,溯源土家族的族源文化。分析认为,土家族布包头可能是巴族后裔的图腾装饰或僰人习俗。
Abstract:
Tujia people have the custom of using cloth wrapped around head, which can reflect their national culture and characteristics. Through local investigation and literature research, this paper expounded the practical and identification function of Tujia’s cloth wrapped around head, and discussed the historical development and style change of its culture, so as to trace the origin of Tujia culture.According to the analysis, Tujia’s cloth wrapped around head may be the totem decoration of descendants of Ba nationality or the custom of Bo people.

参考文献/References:

[1] 格罗塞.艺术的起源[M].刘建,译.北京:商务印书馆,2005.
[2] 崔露,谢云中.贵州土家族传统服饰风格特征[J].铜仁学院学报,2016,18(5):167-170.
CUI Lu,XIE Yunzhong.The style features of Tujia traditional costumes in Guizhou[J].Journal of Tongren University,2016,18(5):167-170.(in Chinese)
[3] 杨庭硕,潘盛之.百苗图抄本汇编[M].贵阳:贵州人民出版社,2004.
[4] 李汉林.百苗图校释[M].贵阳:贵州民族出版社,2001.
[5] 彭世麒.永顺宣慰司志[M].抄本.[出版地不详]:[出版者不详],[1662].
[6] 张天如,顾奎光.永顺府志[M].抄刻本.台北:成文出版社,1763(乾隆二十八年).
[7] 傅恒.皇清职贡图[M].影印本.沈阳:辽沈书社,1991.
[8] 林继钦.保靖县志[M].刻本.[出版地不详]:[出版者不详],1871(同治十年).
[9] 何选鉴,张钧.来凤县志[M].抄本.[出版地不详]:[出版者不详],1866(同治五年).
[10] 潘光旦.湘西北的土家与古代的巴人[M]//中央民族学院研究部.中国民族问题研究集刊:第四辑.北京:中央民族学院出版社,1955.
[11] 王承尧.古代的乌蛮与今天的土家族——土家族族源初探[J].中南民族学院学报(哲学社会科学版),1984,4(1):96-101.
WANG Chengyao.Ancient Wuman and today’s Tujia—the origin of Tujia[J].Journal of South-Central University for Nationalities(Philosophy and Social Science),1984,4(1): 96-101.(in Chinese)
[12] 朱文旭. 土家族为“僰人”说[J]. 中南民族大学学报(人文社会科学版), 2005, 25(4): 78-82.
ZHU Wenxu. On the idea that Tujia people are descen-dants of ancient "Bo people"[J]. Journal of South-Central University for Nationalities(Philosophy and Social Science), 2005, 25(4): 78-82.(in Chinese)
[13] 田少煦.土家族织锦纹样初探[J].中央民族学院学报,1989(2):90-93.TIAN Shaoxu.A preliminary study of Tujia brocade pattern[J].Journal of Minzu University of China,1989(2):90-93.(in Chinese)
[14] 范晔.南蛮西南夷列传[M].北京:中华书局,1965.
[15] 盛竞凌.土家人远古白虎图腾崇拜的历史回音——土家织锦“台台花”图纹探析[J].大众文艺(理论),2009(18):214-215.
SHENG Jingling.The historical echo of Tujia’s ancient white tiger totem worship—analysis of Tujia brocade "taitai flower" pattern[J].Popular Literature and Art(Theory),2009(18):214-215.(in Chinese
[16] 田永红.黔东北土家族服饰文化[J].贵州民族学院学报(社会科学版),1991(3):80-85.
TIAN Yonghong.Tujia costume culture in northeastern Guizhou[J].Journal of Guizhou Minzu University(Social Sciences),1991(3):80-85.(in Chinese)
[17] 叶书德.从语言谈土家族的族源[M]//贵州土家学研究会.土家族研究.成都:四川民族出版社,1992:36.
[18] 王静如.关于湘西土家族语言的初步意见[M]//中央民族学院研究部.中国民族问题研究集刊:第四辑.北京:中央民族学院出版社,1955.
[19] 司马迁.史记[M].哈尔滨:哈尔滨出版社,2018.
[20] 曹学佺.蜀中广记[M].影印本.上海:上海古籍出版社,1993.
[21] 徐艳.川南僰人岩画中的舞蹈图像判定[J].贵州大学学报(艺术版),2014,28(1):111-116.
XU Yan.The identification of dancing images in the rock paintings of Bo nationality in southern Sichuan areas[J].Journal of Guizhou University(Art Edition),2014,28(1):111-116.(in Chinese)
(责任编辑:沈天琦)

相似文献/References:

[1]梁惠娥,吴成冕.基于符号学视角下的西兰卡普生殖崇拜纹样[J].服装学报,2022,7(04):314.
 LIANG Huie,WU Chengmian.Xilankapu’s Reproductive Worship Patterns from the Perspective of Semiotics[J].Journal of Clothing Research,2022,7(02):314.

更新日期/Last Update: 1900-01-01